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0
1
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0
1
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4
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1
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Action
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Reality
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Include Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
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Burmese
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Italian
Japanese
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Khmer
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Lingala
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Malay
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Manx
Maori
Marathi
Marshall
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Ndebele
Ndonga
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No Language
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Occitan
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Oriya
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Pali
Persian
Polish
Portuguese
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Russian
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Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Language to exclude
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[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Exclude Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Certification
Certification
G
PG
PG-13
R
Not Rated
NC-17
Certification
G
PG
PG-13
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Not Rated
NC-17
Age Rating
Kids Age
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3+
4+
5+
6+
7+
8+
9+
10+
11+
12+
13+
14+
15+
16+
17+
18+
Not Rated
Kids Age
[Only CC Ratings]
2+
3+
4+
5+
6+
7+
8+
9+
10+
11+
12+
13+
14+
15+
16+
17+
18+
Not Rated
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Belize
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Bhutan
Bolivia
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Botswana
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British Virgin Islands
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United Arab Emirates
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United States
Uruguay
Us Minor Islands
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Vanuatu
Vatican City
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Country to exclude
Exclude Country
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
Burma
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Create List (27 items)
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27
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83
IMDb
7.9
/19783/
Trakt
77
/432/
TMDb
77
/232/
Letterboxd
4.1
/17560/
Tomato
98
/51/
Popcorn
94
/466/
Metacritic
83
/21/
RogerEbert
3.0
age 14+
When We Were Kings (1996)
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when t
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hey accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
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74
IMDb
7.3
/11058/
Trakt
73
/144/
TMDb
70
/164/
Letterboxd
3.7
/5298/
Tomato
84
/19/
Popcorn
77
/120/
Metacritic
57
/8/
RogerEbert
3.5
Ragtime (1981)
A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
69
IMDb
6.9
/1113/
Trakt
67
/17/
TMDb
66
/14/
Letterboxd
3.3
/2980/
Tomato
88
/69/
Popcorn
55
/10/
Metacritic
68
/16/
RogerEbert
3.0
What She Said: The Art of Pauline Kael (2019)
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes
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ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
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68
IMDb
6.7
/7121/
Trakt
63
/239/
TMDb
64
/128/
Letterboxd
3.3
/3455/
Tomato
82
/119/
Popcorn
67
/348/
Metacritic
64
/38/
RogerEbert
3.0
Inside Deep Throat (2005)
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the pu
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blic imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.
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65
IMDb
6.8
/857/
Trakt
58
/16/
TMDb
63
/18/
Letterboxd
3.4
/303/
Tomato
78
/51/
Popcorn
50
/45/
Metacritic
63
/23/
RogerEbert
3.0
Keep the River on Your Right: A Modern Cannibal Tale (2000)
In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungle…naked, covered in body paint, and a modern-day cannibal. Titled af
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ter Schneebaum’s 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaum’s return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.
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76
49
IMDb
7.4
/836/
Trakt
60
/27/
TMDb
74
/22/
Letterboxd
4.1
/2995/
Tomato
Popcorn
94
/72/
Diaries, Notes, and Sketches (2013)
An epic portrait of the New York avant-garde art scene of the 60s.
45
IMDb
4.4
/205/
Trakt
55
/8/
TMDb
48
/6/
Tomato
Popcorn
30
/104/
RogerEbert
2.0
Beyond the Law (1968)
Takes place over the course of one feverish night in a Manhattan police precinct and neighboring bar.
68
44
IMDb
6.4
/1026/
Trakt
60
/20/
TMDb
63
/25/
Letterboxd
3.5
/1731/
Tomato
71
/14/
Popcorn
80
/30/
Cremaster 2 (1999)
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
58
44
IMDb
5.5
/1604/
Trakt
55
/17/
TMDb
61
/29/
Letterboxd
3.5
/2945/
Tomato
62
/13/
Popcorn
57
/39/
Metacritic
50
/11/
King Lear (1988)
A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.
73
36
IMDb
7.0
/707/
Trakt
66
/29/
TMDb
65
/7/
Letterboxd
3.4
/1185/
Tomato
93
/43/
Popcorn
86
/5/
Metacritic
64
/7/
The Capote Tapes (2021)
A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.
66
29
IMDb
6.6
/761/
Trakt
59
/22/
TMDb
66
/18/
Letterboxd
3.4
/850/
Tomato
78
/9/
Popcorn
61
/5/
The 50 Year Argument (2014)
Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts
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from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.
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57
27
IMDb
6.4
/278/
Trakt
46
/6/
TMDb
62
/5/
Tomato
65
/17/
Popcorn
44
/15/
Metacritic
64
/8/
The Outsider (2005)
Nicholas Jarecki follows director James Toback on the 12-day shoot of his thriller, When Will I Be Loved -- a movie made without a script or distribution deal.
67
23
IMDb
7.2
/430/
Trakt
68
/16/
TMDb
56
/8/
Letterboxd
3.7
/1712/
Town Bloody Hall (1979)
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
43
10
IMDb
4.7
/298/
Trakt
42
/9/
TMDb
41
/10/
Letterboxd
3.1
/429/
Tomato
Popcorn
27
/24/
Maidstone (1971)
Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies.
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This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.
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63
8
IMDb
7.1
/58/
Trakt
45
/2/
TMDb
70
/2/
Tomato
Popcorn
67
/13/
Norman Mailer: The American (2012)
A provocateur, a rebel, a performer, and a true American, Norman Mailer never stopped giving people something to talk about. This documentary goes beyond the Mailer of the bookshelves and NY Times best seller list to Mailer the social critic, family man, filmmaker, and lover. Here's a
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look into the life of a complex, intellectual, working class hero. With never before seen footage of Adele Morales Mailer's startling revelations after being stabbed by her husband. Featuring unseen footage and interviews from wives and lovers, enemies and admirers, his children and the man himself.
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?
IMDb
6.1
/62/
Trakt
70
/1/
TMDb
Tomato
Year of the Woman (1973)
Utitlising humour, fantasy, animation, poetry and theatrics, Hochman and her crew challenge the male establishment for ignoring the first meeting of the National Women's Political Caucus and Shirley Chisholm's bid for US vice-president.
?
IMDb
7.1
/28/
Trakt
TMDb
The Battle for 'I Am Curious-Yellow' (2003)
A documentary about the film, I am Curious-Yellow (1967), and how it made it into the USA and changed film in USA forever by breaking the USA Obscenity Codes.
?
IMDb
8.0
/54/
Trakt
TMDb
How to Come Alive with Norman Mailer (2023)
From Brooklyn beginnings to literary pantheon, Norman Mailer's unorthodox trajectory spans marriages, offspring, and accolades. An unprecedented glimpse into the preeminent 20th-century author's private and public worlds through intimate biography.
?
IMDb
6.2
/29/
Trakt
TMDb
100
/1/
Henry Kissinger: Secrets of a Superpower (2008)
Though Henry Kissinger is often giving short statements to the media, he refuses detailed interviews about his own life. Now he has agreed to answer questions about his person in an extensive documentary.
?
IMDb
7.5
/23/
Trakt
10
/1/
TMDb
90
/1/
Empire City (1985)
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen di
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splacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
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82
?
Trakt
TMDb
Tomato
100
/6/
Popcorn
65
/391/
New York in the Fifties (2001)
New York in the Fifties is the story of a unique time and place, when New York was the hotbed of new artistic expressions, free love, drinking, hot jazz, and radical politics. The film combines stunning archival footage of New York with interviews and footage of icons of the day-Keroua
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c, Ginsberg, Baldwin, Mailer, Basie, etc. Offering modern day perspective and reminiscences are writers, actors, and artists such as Joan Didion, Robert Redford, Nat Hentoff, Gay and Nan Talese, John Gregory Dunne, William F. Buckley, and Calvin Trillin-all part of the rich cultural and artistic scene of the time. Based on the best-selling book by Dan Wakefield, the film also traces Wakefield's restless rebellion in conformist Indianapolis, and his escape to New York with dreams of writin ga novel, falling in love, meeting like-minded souls and questioning the meaning of life.
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?
IMDb
Trakt
20
/1/
TMDb
Baby Trouble Hole (1996)
Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.
40
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IMDb
3.5
/152/
Trakt
36
/5/
TMDb
49
/4/
Wild 90 (1968)
Norman Mailer’s first feature filmmaking effort stars the director and his two longtime collaborators Buzz Farbar and Mickey Knox as a trio of gangsters holed up in a ramshackle New York apartment, drinking, braying, and fighting.
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IMDb
Trakt
TMDb
Double Pisces, Scorpio Rising (1970)
One of the human trio is Dick Fontaine, the director, a thin, long-haired youth who has put together this highly personal exercise on something or other that runs, mercifully, for 58 minutes and comes from an English group of movie folk called the Tattooists. The second visitor to the a
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nimal abattoir is a pretty girl. The third is a porky, middle-aged man addicted to the expression, "Ya know?" The two men carry on a running argument about whether they should make a picture about pigs. "Are we making a movie, ya know?" says Fatso. "Where is it, ya know?" Then a bit later: "I'm making a movie about pigs, ya know?"
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Will the Real Norman Mailer Please Stand Up? (1968)
Portrait of Norman Mailer at the time of the Pentagon demonstrations in 1967, documenting Mailer's involvement and arrest, together with two TV appearances and shooting on the set of his second film 'Beyond the Law'.
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365 Day Project (2007)
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of sho
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rt films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
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Norman Mailer vs. Fun City (1970)
Dick Fontaine documents Norman Mailer’s 1969 bid for the Mayor’s office in New York City. Accompanied by his running mate, Jimmy Breslin, Mailer charismatically works the press and the public with a provocative platform that ultimately fails.
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