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The Best Magdalena Montezuma Movies. Go to The Best
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votes
Sex & Nudity
0
1
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0
1
2
3
4
5
Profanity
0
1
2
3
4
5
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1
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4
5
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Home and Garden
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Musical
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News
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Short
Soap
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Action
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Children
Comedy
Crime
Documentary
Drama
Family
Fantasy
Film Noir
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History
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Home and Garden
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Musical
Mystery
News
Reality
Reality TV
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Portuguese
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Rundi
Russian
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Sango
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Venda
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Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Include Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
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Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
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Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Language to exclude
Exclude Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Exclude Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Certification
Certification
G
PG
PG-13
R
Not Rated
NC-17
Certification
G
PG
PG-13
R
Not Rated
NC-17
Age Rating
Kids Age
[Only CC Ratings]
2+
3+
4+
5+
6+
7+
8+
9+
10+
11+
12+
13+
14+
15+
16+
17+
18+
Not Rated
Kids Age
[Only CC Ratings]
2+
3+
4+
5+
6+
7+
8+
9+
10+
11+
12+
13+
14+
15+
16+
17+
18+
Not Rated
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American Samoa
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Argentina
Armenia
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Australia
Austria
Azerbaijan
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Belize
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Bermuda
Bhutan
Bolivia
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Botswana
Bouvet Island
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British Virgin Islands
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Chile
China
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Serbia
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Switzerland
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Turkmenistan
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United Arab Emirates
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United States
Uruguay
Us Minor Islands
Us Virgin Islands
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Vanuatu
Vatican City
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Yemen
Zambia
Zimbabwe
Country to exclude
Exclude Country
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
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Create List (32 items)
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32
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72
IMDb
6.5
/1843/
Trakt
62
/39/
TMDb
64
/38/
Letterboxd
3.6
/1829/
Tomato
95
/19/
Popcorn
59
/20/
RogerEbert
3.5
Taxi zum Klo (1981)
Frank, a gay school teacher, has a very active sex life and an interest in making films. One evening, he meets Bernd and they become lovers. But while Bernd is attentive and caring, Frank gets bored and continues his polymorphously perverse ways.
67
53
IMDb
6.6
/2683/
Trakt
60
/21/
TMDb
63
/52/
Letterboxd
3.6
/5116/
Tomato
84
/19/
Popcorn
62
/27/
Beware of a Holy Whore (1971)
Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.
73
38
IMDb
6.6
/627/
Trakt
66
/15/
TMDb
60
/14/
Letterboxd
3.7
/3071/
Tomato
Popcorn
100
/29/
Ticket of No Return (1979)
A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.
59
25
IMDb
5.9
/660/
Trakt
63
/21/
TMDb
54
/14/
Tomato
Popcorn
62
/2002/
A Woman in Flames (1983)
Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Co
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nsequently, she moves into his penthouse, large enough for both to offer their services separately.
Less
54
21
IMDb
6.2
/770/
Trakt
58
/7/
TMDb
53
/14/
Letterboxd
3.3
/834/
Tomato
Popcorn
35
/189/
Rio das Mortes (1971)
Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.
59
21
IMDb
5.9
/399/
Trakt
55
/8/
TMDb
52
/13/
Letterboxd
3.6
/1483/
Tomato
Freak Orlando (1981)
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.
57
20
IMDb
5.9
/630/
Trakt
61
/7/
TMDb
60
/7/
Letterboxd
3.3
/683/
Tomato
67
/6/
Popcorn
32
/3/
The Niklashausen Journey (1970)
Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket. The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.
60
20
IMDb
6.5
/304/
Trakt
44
/5/
TMDb
69
/17/
Letterboxd
3.7
/909/
Tomato
Popcorn
50
/15/
The Rose King (1986)
A mentally unstable woman and her son move to a sprawling mansion in Portugal to grow roses.
61
19
IMDb
6.4
/417/
Trakt
41
/9/
TMDb
65
/16/
Letterboxd
3.7
/835/
Tomato
The Death of Maria Malibran (1972)
A series of tableaux illustrating the life and death of a celebrated 19th century German opera singer.
63
10
IMDb
6.2
/293/
Trakt
62
/5/
TMDb
58
/10/
Letterboxd
3.5
/385/
Day of the Idiots (1981)
A woman experiences psychic disintegration and ends up in a psychiatric hospital.
61
9
IMDb
6.7
/285/
Trakt
50
/6/
TMDb
58
/11/
Letterboxd
3.5
/241/
Tomato
Palermo or Wolfsburg (1980)
An impoverished young man from Sicily travels to Wolfsburg, West Germany to find work. He takes a job in the Volkswagen factory after he travels through Northern Italy by train.
?
IMDb
5.6
/9/
Trakt
40
/2/
TMDb
60
/1/
Macumba (1982)
Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own conventionalities.
?
IMDb
6.4
/12/
Trakt
22
/4/
TMDb
70
/2/
Macbeth (1971)
Fusing Shakespeare‘s tragedy with the Verdi opera, Schroeter's Macbeth is a fascinating television experiment shot entirely in a studio with several electronic cameras. As Schroeter would recall, "I arranged the Verdi music for a quartet of violin, accordion, piano and oboe, but modeled
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the rhythms on Argentinian tangos and boleros. The actors sang with horrifying, shrill voices.... The use of video allowed me to produce extraordinary colors.... Of all my films, Macbeth was most unwelcome: Audiences don’t like their Shakespeare to be presented in this way, but I do not differentiate between kitsch and culture...". - MoMA
Less
?
IMDb
5.2
/42/
Trakt
10
/1/
TMDb
30
/2/
Kiez (1983)
Set in Hamburg's “Hell's Kitchen,” a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it. He becomes a small-time pimp, sending his naive girlfrien
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d out onto the streets thinking she is financing their middle-class future. When he becomes involved with an old pal, Nil, he increases his criminal portfolio. But when he steals Nil's girlfriend and things heat up, he leaves for his sister's middle-class home in Berlin, where his attempts to fit in are doomed from the start. Returning to Hamburg, he starts a rapid decline that delivers him into the waiting arms of Nil, whose revenge is merciless.
Less
?
IMDb
Trakt
10
/1/
TMDb
Was die Rechte nicht sieht, kommt erst recht aus dem Ohr heraus (1972)
Early Rosa von Praunheim short film. Originally intended to be the ending of "Die Bettwurst".
?
IMDb
Trakt
10
/1/
TMDb
Grotesk - Burlesk - Pittoresk (1972)
Short film directed by Rosa von Praunheim and Werner Schroeter. Considered lost.
?
IMDb
Trakt
TMDb
50
/1/
Execution: A Story of Mary (1979)
A German short film
?
Trakt
TMDb
90
/1/
Glutmensch (1975)
N/A
?
IMDb
7.7
/35/
Trakt
TMDb
50
/2/
Tally Brown, New York (1979)
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its u
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nderworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.
Less
?
IMDb
6.2
/15/
Trakt
TMDb
60
/1/
The Black Angel (1974)
Two women, one from Boston and one from Germany, flee their empty lives to seek fulfillment in Mexico. The Black Angel is a transitional film; on one hand, it is a companion piece to Willow Springs, featuring two Schroeter regulars as characters far from home and in extremis; on the oth
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er hand, it is a film essay about Mexico and as such a harbinger of Schroeter’s nonfiction work to come. While he clearly shares his characters’ fascination with Mexico, the filmmaker also savages touristic exoticism – the otherworldly appearances of his protagonists and their rapturous reactions to new surroundings contrast sharply with the sober perceptions of Mexican history and economics featured in the documentary segments and in the prosaic presence of a non-professional cast of locals. - Harvard Film Archive
Less
?
IMDb
6.3
/76/
Trakt
50
/1/
TMDb
58
/7/
Der Bomberpilot (1970)
Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a career as singers and dancers.
?
IMDb
7.4
/11/
Trakt
TMDb
Joan's Dream (1975)
With the ascetic grandeur of Carl Th. Dreyer’s The Passion of Joan of Arc, Schroeter evokes the visions of Saint Joan, partly through unused footage of Darling and Caven pantomiming in his 1972 film The Death of Maria Malibran. - MoMA
?
IMDb
6.3
/49/
Trakt
75
/2/
TMDb
64
/5/
Neurasia (1969)
In a dark and spare theatrical space, four characters use gesture, language, and movement to explore themes of desire and mortality.
58
?
IMDb
6.6
/173/
Trakt
45
/4/
TMDb
49
/7/
Letterboxd
3.6
/485/
Dorian Gray in the Mirror of the Yellow Press (1984)
The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
?
IMDb
6.4
/53/
Trakt
10
/1/
TMDb
Liebeskonzil (1982)
Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternat
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es scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive
Less
?
IMDb
7.3
/31/
Trakt
10
/1/
TMDb
Salome (1971)
Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Do
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nizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“
Less
?
IMDb
6.6
/59/
Trakt
50
/1/
TMDb
90
/1/
Argila (1969)
Werner Schroeter's stunning split-screen short deals with what the director called "archaic, fundamental themes" of love and mourning.
62
?
IMDb
6.6
/133/
Trakt
57
/4/
TMDb
64
/7/
Tomato
Eika Katappa (1971)
Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.
?
IMDb
7.3
/52/
Trakt
TMDb
90
/5/
Goldflocken (1976)
Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.
63
?
IMDb
6.5
/181/
Trakt
TMDb
55
/6/
Letterboxd
3.6
/570/
Willow Springs (1973)
Living together in an isolated house, three women go to murderous lengths to keep strangers out of their private retreat.
?
IMDb
Trakt
TMDb
Die Geisel (1977)
N/A
?
Trakt
TMDb
Magdalena (1968)
N/A
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