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poster
46
33
4.2
/1211/
39
/33/
45
/40/
3.1
/2588/
44
/450/

Vinyl (1965)
Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.
poster
68
30
5.4
/225/
54
/5/
67
/9/
100
/118/

The Nude Restaurant (1967)
At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string and a G-bestringed waiter.
poster
42
30
3.7
/1493/
35
/27/
42
/43/
2.7
/2593/
42
/33/

Empire (1965)
A single static wide shot of the Empire State Building from early evening until nearly 3 am the next day.
poster
69
29
6.6
/425/
65
/8/
65
/11/
3.6
/774/
81
/345/

The Velvet Underground and Nico: A Symphony of Sound (1966)
The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.
poster
62
28
6.3
/88/
55
/2/
64
/8/
3.5
/632/
60
/10/
65
/69/

Screen Test: Edie Sedgwick (1965)
Andy directs Edie for a screen test.
poster
50
18
5.2
/600/
44
/11/
48
/10/
3.2
/495/
45
/244/

Lonesome Cowboys (1968)
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
poster
45
15
4.4
/331/
40
/7/
38
/19/
2.9
/1106/

Mario Banana I (1964)
Mario Montez in drag eats a banana.
poster
40
9
4.0
/193/
26
/3/
35
/14/
3.0
/520/

Mario Banana II (1964)
Black-and-white version of Mario Banana I, in which Mario enjoys another banana.
poster
65
?
6.3
/64/
60
/6/
3.6
/466/

Screen Test: Lou Reed (Coke) (1966)
Andy directs Lou Reed drinking a Coke.
poster
65
?
5.8
/145/
72
/7/

Beauty #2 (1965)
The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein as... Moreks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it. Less
poster
?
6.6
/20/
10
/1/

Soap Opera (1964)
Soap Opera, starring Baby Jane Holzer and Lester Persky, among Factory regulars, intercuts television commercials of its day with silent domestic scenes shot by Warhol.
poster
30
?
6.1
/109/
10
/1/
20
/1/

Four Stars (1967)
Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimat... Moreely hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia. Less
poster
?
3.2
/40/
30
/7/
36
/8/

Screen Test: Helmut (1966)
Screen Test: Helmut, by Andy Warhol, is a five minute silent black and white continuous close-up of a young man’s face. The face remains deathly still other than the occasional blink or involuntary bat of his eyelash. The film is slowed down to about 24-frames per-second to capture thes... Moree slight movements a bit better, but other than this and the choppy fade-in’s and out’s at the beginning and end respectively, nothing changes throughout the film. Less
poster
?
6.6
/52/

San Diego Surf (1968)
Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is pregnant and on the hunt for a husband. Mr. Mead, who is gay, tries to pawn her off to one of the surfers... More. Meanwhile, Viva wants a divorce from her boy-crazy hubby, who wants a surfer of his own. Tom, a surfer, is inveigled by Mr. Mead to urinate on him. In a close-up, Mr. Mead receives Tom's offering ecstatically, after which he comments, "I'm a real surfer now." Less
poster
41
?
6.6
/129/
10
/1/
47
/6/

Bike Boy (1967)
Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt ... Moreto deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end. Less
poster
?
5.9
/70/
37
/3/

Taylor Mead's Ass (1964)
Taylor Mead humorously bares his ass for Andy Warhol.
poster
?
5.1
/38/
10
/1/

Hedy (1966)
Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered... More and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart." Less
poster
?
6.7
/69/
10
/1/

Tub Girls (1967)
"Tub Girls" features Warhol superstar Viva lying in a bathtub with different people of both sexes, including Brigid Berlin (as Brigid Polk), who appeared fully clothed in the tub.
poster
?
10
/1/

Screen Test: Jackie (1967)
Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.
poster
?
5.6
/10/
10
/1/

The Velvet Underground Tarot Cards (1966)
Documents each member of The Velvet Underground having their cards read at a big apartment party. The tarot reader is continually interrupted in her readings by the chaos created by the characters around her.
poster
?
5.6
/10/
10
/1/

Moe Gets Tied Up (1966)
Or "Moe in Bondage" - The "Moe" of the title is the Velvet Underground's drummer, Maureen Tucker, whose band-mates have tied her to a chair and are now hanging around nibbling on sandwiches and pieces of fruit.
poster
?
4.2
/10/
10
/1/
20
/1/

Jill and Freddy Dancing (1963)
Against a backdrop of the Manhattan skyline, Judson Dance Theater company member Freddy Herko and author and cultural critic Jill Johnston dance together on Wynn Chamberlain’s rooftop.
poster
?
5.3
/11/

Sausalito (1967)
Scenes of Sausalito, California, including boats, the docks, and streets. Eventually, the setting turns to night and boats appear silhouetted against the sky. A woman speaks poetic phrases on the soundtrack; at intervals her face is seen. A band begins to play but ceases again as lights appear in distant windows.


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