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poster
Criterion Channel
81
7.7
/7633/
74
/152/
75
/136/
3.9
/10332/
100
/11/
88
/173/
85
/13/

Vengeance Is Mine (1979)
A thief, a murderer, and a charming lady-killer, Iwao Enokizu is on the run from the police.
poster
80
7.8
/4164/
69
/65/
75
/119/
4.0
/4875/
86
/14/
89
/55/

Black Rain (1989)
Shigematsu Shizuma, who lives with his family in a village near Fukuyama, was in Hiroshima with his wife and niece just after the devastating atomic bombing, a tragedy that cruelly took the lives of thousands of people and forever marked the harsh existence of the survivors.
poster
Kanopy
75
7.2
/1651/
72
/14/
66
/23/
3.6
/704/
94
/18/
77
/14/

Dr. Akagi (1998)
At the end of WWII, Japanese doctor Akagi searches for the cure for hepatitis in the prisoner-of-war camp.
poster
Kanopy
70
6.7
/2953/
60
/44/
66
/48/
3.5
/1713/
81
/47/
76
/60/
70
/18/

Warm Water Under a Red Bridge (2001)
A down-and-out businessman travels to a seaside town, where he meets a woman with unusual sexual powers.
poster
Criterion Channel
85
68
8.1
/2240/
81
/64/
74
/44/
4.3
/6377/
100
/6/
90
/37/

The Emperor's Naked Army Marches On (1987)
Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed while the Japanese garrison was surrounded, in particular the unexplained killing of two Japanese privates in his unit.
poster
76
68
7.3
/6637/
70
/74/
70
/111/
3.8
/5014/
81
/26/
82
/88/
81
/21/

The Eel (1997)
A businessman kills his adulterous wife and is sent to prison. After his release, he opens a barbershop and meets new people, talking to almost no one except for an eel he befriended while in prison.
poster
Criterion Channel
77
64
7.2
/2622/
66
/47/
73
/44/
3.8
/2693/
100
/9/
78
/49/

The Pornographers (1966)
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disa... Morepproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time. Less
poster
Kanopy
66
58
6.8
/6027/
63
/68/
64
/114/
3.4
/2342/
77
/60/
66
/36/
61
/22/

11’09”01—September 11 (2002)
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
poster
78
47
7.1
/869/
66
/25/
68
/21/
3.7
/1400/
100
/8/
81
/8/
92
/5/

A Man Vanishes (1967)
A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.
poster
Criterion Channel
65
29
6.8
/708/
50
/5/
64
/16/
3.5
/520/
77
/299/

Why Not? (1981)
The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo I... Moremperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society. Less
poster
67
15
6.8
/393/
64
/7/
66
/16/
3.6
/494/

The Youth Killer (1976)
Though his parents help him run the family business, Jun still feels persecuted by their love; when they bar him from meeting with his girlfriend, tensions increase.
poster
?
7.0
/76/
45
/2/
63
/3/

Following the Unreturned Soldier: Thailand (1971)
In Thailand, three Japanese soldiers, left in the jungle more than a quarter of a century after their country's defeat, come together to discuss what their life was like during and after the war. Part two of Imamura's quest for Japanese soldiers who stayed behind after the war.
poster
?
7.3
/69/
75
/2/

Outlaw-Matsu Returns Home (1973)
“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outl... Moreaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura Less
poster
?
6.7
/86/
50
/2/
65
/2/

Following the Unreturned Soldiers: Malaysia (1970)
Famed filmmaker tracks down former Japanese soldiers in Malaysia.
poster
?

East China Sea (1968)
Rokurō starts a part-time job on a fishing boat, but the ship has an engine failure in the middle of the Pacific Ocean.


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