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poster
?
50
/2/

Springtime for Samantha (1965)
Samantha, beloved by Spring, is captured by a butterfly hunter.
poster
?
6.5
/11/
10
/1/

Battle of New Orleans (1960)
Sped up footage of musicians fighting on a stretch of mudflats.
poster
?
7.2
/35/
15
/2/
52
/2/

Alf, Bill and Fred (1964)
This is a short film about a man, a dog and a duck who enjoy bouncing together.
poster
?
5.6
/17/
10
/1/

The Rise and Fall of Emily Sprod (1962)
Emily Sprod tries various ways to escape her loveless marriage and meaningless life.
poster
?
7.5
/9/
100
/1/
80
/1/

The Plain Man's Guide to Advertising (1962)
A surreal mix of advertising tropes from the 1960s is very funny but has a neat anti-capitalist undertow.
poster
?
6.1
/17/
55
/2/
90
/1/

Polygamous Polonius (1960)
Cartoon about a lady lecturer who gives the audience a lecture on art and is wooed by a romantic gentleman.
poster
?

Do Be Careful Boys (1964)
A BAFTA award nominated animated Industrial safety film featuring a clumsy fruit porter who learns the error of his ways, told as a mini-operetta.
poster
?

A Cat Is A Cat (1971)
Are you a dog or a cat person? If you favour the felines then this animated meditation on cats of all shapes and sizes is for you. The film grew out of industry veteran Vera Linnecar's play with applying mottled coloured paints directly onto animation cels. Paired with the piano music t... Morehese scenes are a playful experiment, mixing abstraction with careful observation of cat behaviour. Vera started her animation career at the Halas & Batchelor studio in 1940, as did Elizabeth Horn, who also worked on this film. Moving from tracing, to inbetweening, to animating, Vera became one the company's principle artists. In the late 1940s she moved to the Larkins studio which better suited her experimental spirit. In 1957, along with Nancy Hanna, she joined Bob Godfrey and Keith Learner at Biographic, and continued innovating there until she retired in 1983, after four decades in the business. Less


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