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poster
73
7.3
/12885/
75
/407/
69
/157/
3.6
/18154/
89
/18/
75
/232/
64
/7/

Christmas in Connecticut (1945)
While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her h... Moreusband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm. Less
poster
56
21
5.9
/443/
54
/27/
55
/41/
3.3
/215/
50
/23/

Domestic Life (2013)
Juliette was simply not sure about coming to live in this residential suburb of the greater Paris metropolitan area. All the women here are in their forties, have children to raise, houses to keep and husbands who return home late at night.Today she has an appointment in Paris that is i... Moremportant for her career, but she also has to run errands and pick up the kids from school. During the course of her day, monopolized by petty, everyday tasks, Juliette can feel the noose of domestic obligations and household chores slowly tightening around her neck. Less
poster
58
10
6.0
/445/
56
/8/
52
/12/
3.2
/305/

Troubles of a Grass Widower (1908)
A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.
poster
?

Ordinary Things (that happened in the childhood home of the maker of this film)
Somewhere between the 1930s and now, the cameras start turning and Joan Crawford, Bette Davis and Marlene Dietrich gather on one film set. The floor gleams, the spotlights are burning, the narration starts. Born out of a fascination for the construction that is Hollywood, and by extens... Moreion ‘the perfect Hollywood home’, the maker embodies three actresses from Hollywood’s golden era and their so-called private lives. Their smallest personality traits are performed so precise and characteristically that it becomes artificial. The home isn’t homely. It plays “house” and the inhabitants are speaking Hollywoodian. In this setting, the maker of the film recalls memories of growing up in her childhood home. Less


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