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poster
66
19
6.8
/548/
69
/18/
59
/27/
3.4
/412/

No Sail (1945)
Donald and Goofy rent a sailboat. This boat is a bit unusual: to rent it, you put a nickel in a slot, and the mast and sail pop up. Unfortunately, after a while, they pop back down. When Donald runs out of nickels, they are marooned. Goofy waves his shirt at a passing cruise ship, but t... Morehey (and he) mistake this for a friendly greeting. A flying fish lands in the boat; while the boys fight over it, a gull grabs it. They try to bash the gull, which lands atop their heads, with predictable results. Finally, as the sharks circle, they try fishing, with Donald as the unwitting bait. He eventually lands back in the boat, where his bill lands in the coin slot and gives them a way home. Less
poster
?
7.2
/67/
70
/1/

Koko in 1999 (1927)
This Out of the Inkwell cartoon features the Fleischer Studios continuing character, Ko-Ko, seeming to draw himself, and to battle with the environment created for him. It speaks to the self-referentiality of early animation, and to the creation of characters who are made to rebel against their makers.
poster
?
5.5
/79/
60
/1/
50
/3/

Gypped in Egypt (1930)
Waffles the Cat and Don Dog find themselves at the mercy of animate skeletons inside an Egyptian tomb.
poster
64
?
6.4
/253/
61
/14/
65
/8/
3.3
/249/

An Ounce of Pink (1965)
The Pink Panther encounters a coin-operated talking weight and fortune machine which suggests that he bring it home with him on the basis of it being a valuable asset - it doesn't go so well.
poster
?
6.0
/28/

Ko-Ko's Catch (1928)
Max is busy with his pretty new secretary and puts Koko and Bimbo on automatic for the day -- he sets a pantograph to draw a world run by slot machines like mechanical banks. However, is the creator in control of his creation, or is it the other way around?


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