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poster
77
32
7.6
/105/
63
/3/
73
/13/
3.7
/732/
100
/5/

Terror Nullius (2018)
Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national my... Morethology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self. Less
poster
68
29
7.1
/143/
50
/5/
60
/1/
3.4
/1305/
93
/14/

Hello Dankness (2023)
Comprised entirely of hundreds of pirated film samples, Hello Dankness is a bent suburban musical that bears witness to the psychotropic cultural spectacle of the period 2016 to 2021. Set in the American suburbs, the film follows a neighbourhood through these years as consensus reality ... Moredisintegrates into conspiracies and other political contagions. Part political satire, zombie stoner film, and Greek tragedy, the work is also informed by the encrypted memetics of contemporary internet culture. Less
poster
69
25
7.4
/634/
69
/14/
69
/10/
3.5
/594/
63
/11/

Freestyle: The Art of Rhyme (2000)
From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day ... Moreincarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality. Less
poster
?
5.8
/7/
60
/1/

TAP HOP (2009)
Splicing together footage from the musical comedy Pardon My Sarong (1942) and the TV series Graffiti Rock (1986), Tap Hop stages a dance battle between the pioneering 1980's hip-hop crew the New York City Breakers and the seminal 1940's tap group Tip Tap & Toe.
poster
?
8.0
/47/
10
/2/
60
/1/

Hollywood Burn (2006)
Mimicking the hyperbolic rhetoric of today’s copyright cops, Hollywood Burn pits a righteous league of video pirates against the evil tyrant Moses and his Copyright Commandments. Determined to alter the present by changing the past, the pirates travel back to 1955 to construct the ultim... Moreate weapon: an Elvis Presley video-clone. Part sci-fi + rom com + biblical epic + action movie, this free-culture manifesto adopts the tactical responses of the parasite, feeding off the body of Hollywood and inhabiting its cinematic structures and codes. The unwitting all-star cast includes Elvis Presley, Charlton Heston, Monkey, Batman, Bette Davis, Jaws, Jesus, The Hulk, The Hoff and the Ghostbusters. Less
poster
?

Astro Black: Race for Space (2010)
An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". Race for Space gives life to Sun Ra’s claim to have been abducted by aliens who schooled him in the radical potential of music. While working as a piano man in Chicago in 1943, Sun Ra is con... Moretacted by Morpheus who offers him a choice of two destinies. Flashing forward to the 1969 moon landing, Neil Armstrong discovers that outer space has already been colonized by Sun Ra and his intergalactic ensemble, The Arkestra. At stake in this episode is the cultural politics implicit in the territorialization of outer space, both as a geography and a virtual field of possibility. Less
poster
?

Astro Black: Destination Planet Rock (2007)
An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". Destination Planet Rock maps the intergalactic legacy of Sun Ra and George Clinton in the sci-fi futurism of early hip-hop. Set in 1974 in the South Bronx, the episode be-gins in a neighborh... Moreood center where Sun Ra is explain-ing his ideas about the intersection of race, myth and outer space. The three future originators of hip-hop—DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash—are abducted and transported across the galaxy to Planet Rock, where they are schooled in the alien language of turntablism. Less
poster
?

Astro Black: We are the Robots (2010)
An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". We are the Robots re-imagines the iconic scene in the film Close Encounters of the Third Kind (1977), where sci-entists use a synthesizer keyboard to communicate with an alien mothership. In... More Soda_Jerk’s revision of these events, Kraftwerk play sequences from their own music and the mothership responds with frag-ments of tracks that have sampled Kraftwerk. This jam session– between the original and sampled ver-sions of Kraftwerk’s music–explores the impact of German electronic music on Afrofuturist sonic culture. Less
poster
?

Astro Black: Armageddon in Effect (2008)
An episode in Soda_Jerk's multi-channel digital-video installation cycle entitled "Astro Black". This episode considers the politics implicit in Public Enemy’s claim that we’re already living [in] armaged-don. It begins with the discovery of an ancient stone crosshairs at an archeologic... Moreal site in Egypt. Sixty years later a giant alien mothership emerges from a mena-cing cloud over New York City, hijacking President Ron-ald Reagan’s TV statement in order to transmit a pirate broadcast from Chuck D, Flavor Flav and Sun Ra. Like Sun Ra’s mantra that ‘it’s after the end of the world’, Public Enemy invoke armageddon to insist upon the critical moment in which we already live. Less


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