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poster
Netflix
75
6.9
/260/
71
/11/
69
/7/
3.8
/2178/
90
/30/
79
/14/

Nam June Paik: Moon Is the Oldest TV (2023)
The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.
poster
72
34
6.5
/147/
62
/4/
70
/2/
3.4
/726/
80
/260/
87
/1652336/

Enigma: Nazo (1978)
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
poster
Kanopy
60
28
5.9
/850/
60
/3/
46
/17/
55
/11/
91
/9/
54
/9/

Swim Little Fish Swim (2014)
Between surrealism, unusual characters, art and magic tricks, "Swim Little Fish Swim" is a dreamlike journey from childhood to adulthood.
poster
55
10
5.4
/159/
39
/12/
60
/12/
3.5
/361/

Kusama's Self-Obliteration (1967)
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
poster
66
8
5.8
/106/
66
/5/
72
/4/
3.4
/570/

Expansion (1972)
Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.
poster
?
55
/2/

Expansion (2018)
Experimental animation by Nicholas Nedelkopoulos
poster
?
60
/1/

Cumulonimbus (1970)
A 1970 projection of what may come when pollution over powers nature.
poster
?
80
/1/

The Nightwatch (2004)
The Nightwatch documents an action realised by Alÿs in 2004 in which he released a fox into London’s National Portrait Gallery in the middle of the night and used the museum’s CCTV system to follow its movements. The institution was chosen because unlike other institutions it does not conceal its CCTV cameras.
poster
?
50
/1/

Reminiscence (1974)
This tape was created when Woody visited his native Moravia with a Portapak camera. In the course of signal modulation an alteration in the field of raster lines is taking place, in which the lines are being vertically deformed and gain the contours of objects (with the use of a Rutt/Etra synthesizer).
poster
64
?
7.1
/161/
36
/3/
81
/7/
3.5
/324/

The Fourth Dimension (1988)
Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.
poster
?
5.4
/8/
15
/2/

Requiem for the 20th Century (1994)
“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are part of our collective memory: extracts from newsreels of World War II that have been reworked and transformed through various optical and electronic processes. Worl... Mored War II was a condensation of violence (biological and environmental destructions, racism, ethnic clearing, and persecution of people who are different…) and ongoing wars perpetuate that violence. This work is a metaphorical representation of all past, present and future wars. Constructed on the dramatic tension between the violence of wars and the presence of the intersex hermaphroditic “Angel”: Their eyes are bandaged; they are a symbol for difference, having an ambiguous position: observer, witness, victim or judge. Less
poster
?
70
/1/

Orka (1997)
STEINA: “My background is in music. For me, it is the sound that leads me into the image. Every image has its own sound and in it I attempt to capture something flowing and living. I apply the same principle to art as to playing the violin: with the same attitude of continuous practice, the same concept of composition.
poster
?
20
/1/

Like a Wave in the Sea (1998)
Like a Wave in the Sea
poster
?
10
/1/

Lyhnida (1989)
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also depend on the body technique. Th... Moree communicability can be understood, among other things, as one of the variations of the functioning of the body within the sequential regime of signs. Less
poster
?
10
/1/

Seven Seals (1989)
Produced at International Video Colony Ohrid, Macedonia 1989. Screened in retrospective at Alternative Film/Video Belgrade Festival 2014.
poster
?
70
/1/

Approach VIII - Becoming Halfling (2022)
‘Approach‘ is a monolithic silhouette, a great shape at the edge of sight, broiling with the same kind of intensity and the same blanched tones as other great works written as if in memoriam — The Caretaker’s works, for one example. Emma Northey renders this, and much else, into her arr... Moreesting video for ‘Approach VIII: Becoming Halfling‘, a visual accoutrement that makes it hard to determine which came first: is it the shapes and landscape-like forms swirling in the darkness making the noise, or are the sounds, reflecting on a surface and rendering themselves into form? Or perhaps neither, both just glimpses of one sinuous, near-living being. Less
poster
?
100
/1/
52
/2/

Between Science and Garbage (2004)
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
poster
?
30
/1/

Triangle in Front of Square in Front of Circle in Front of Triangle (1973)
In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen. The images generated in the tape act according to specific parameters set by the artist. Sandin has stated "The an... Morealog Image Processor was programmed to implement the logic equations; if square, if triangle and circle show circle." In this tape, Sandin is in effect arguing for a distinct video vocabulary that replaces the classical concept of perspective. This tape was produced at the University of Illinois Chicago. Less
poster
?
70
/1/
50
/1/

Cone Eater (2004)
With this abstract digital video, Murata presents viewers with a field of seething colors and line, within which a suggestive, Rorschach-like formation manages to retain its structure even as it is in a constant state of flux. The mesmerizing tableau that results is accompanied by a cyclical, dronelike sound track.
poster
?
100
/1/

Night Terror (2021)
Strange things occur tonight whether the paranormal phenomenon is the invisible invasion of aliens from outer space or light flashes of another dimension? We will never know. Are we alone or may we encounter extraterrestrial species that are coming at night to conquer our dreams, our body and mind? What are you afraid of?
poster
?
70
/1/
70
/2/

The Phantom Harp (2008)
Super 8mm, 21 min., b&w, music by Jefre Cantu-Ledesma.
poster
?
10
/1/

John Baldessari: Some Stories (1990)
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
poster
?
100
/1/

Getting out of bed part 2
the examination of an inability to get out of bed in the morning.
poster
?
80
/1/

Union (1975)
Union is one translation of the meaning of the word "yoga." The work is an allegorical journey of the self seeking reunion with itself.
poster
?
7.1
/14/
62
/4/

Kill Your TV: Jim Moir’s Weird World of Video Art (2019)
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
poster
?
65
/4/
20
/2/

The Shining: Forwards and Backwards (2011)
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
poster
?
6.6
/7/
65
/2/

All Star Video (1985)
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
poster
?
100
/1/

PegaSOMOSh (2021)
Pegasus viz. incorruptibility undergoes a stress test to prove its name. Will his code of chivalry stand the attempts at corruption? Here we have four situations in which he gets proved. Criminal solicitations interfere digitally in the shape of data moshing. He takes a rough ride onto the mosh pit of the blockchain. Cybercryptocy video art meets classical Greek mythology.
poster
?
5.7
/8/
10
/1/

A Warm Day Comes After A Cold Winter (1995)
Walter Ungerer's A Warm Day Comes After A Cold Winter is among a series of experimental films the filmmaker created in the 90s that utilize computer animation and assorted "lo-fi" video artifacts.
poster
?
6.4
/18/
10
/1/
10
/1/

Chinese Characters (1986)
Best known for his work in video, Richard Fung has made the politics of gender, ethnicity, and sexual orientation his central focus. Chinese Characters (1986) examines the ambiguous relationship of gay Asian men with white gay porn.
poster
?
6.1
/9/
10
/1/

The Machine That Killed Bad People (1990)
The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. It also addresses the role of electronic media in the struggle for power, and more broadly, American intervention in the T... Morehird World. Using a structure that emulates the way television news programs construct meaning through fragmentation, the tape interweaves clips of Filipino activists and reporters, a fictional television anchorwoman and correspondent, commentary by independent filmmaker Trinh T. Minh-ha, Fagin's off-camera voice and script, and anonymous excerpts from commercial television. Less
poster
55
?
6.1
/97/
38
/6/
56
/9/
3.4
/450/

Technology/Transformation: Wonder Woman (1978)
The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Pri... Morence, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'. Less
poster
?
7.1
/32/
10
/1/

Rectangle & Rectangles (1984)
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This anima... Moretion film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time. Less
poster
?
10
/1/

Hideo, It's Me, Mama (1986)
HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife r... Moreelationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix) Less
poster
?
70
/1/

Distant Activities (1972)
Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.
poster
?
10
/1/

Witness (1982)
Experimental short film by Barbara Sykes
poster
?
100
/1/

Super Vario Birds (2019)
Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.
poster
?
3.6
/206/

Junior War (2013)
In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in the year 2000. A band plays, the kids get drunk, the boys and girls tepidly flirt, and groups deploy into cars for the purpose of destroying mailboxes, tee-peeing houses, breaking lawn orna... Morements, and sparring with the police. The film is composed entirely of footage Trecartin took during his senior year of high school in exurban Ohio; as such, it baits the viewer with genealogical significance. Less
poster
?
8.0
/15/
15
/2/

Barkley's Barnyard Critters: Mystery Tail (2006)
The hilarious hour-long episode follows the bipolar, beer-swilling dog, Barkley, and the Critters, the band he fronts. His rocker menagerie includes a vulture, a snake, a tracksuit-clad paranoid schizophrenic crow, a Buckethead-esque farm boy on harmonica, and a manic- depressive canine drummer.
poster
?
40
/1/

Faces of Emmanuelle (2014)
An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to... More discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle. Less
poster
?
40
/2/

Tempest (1981)
Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.
poster
?
15
/2/
80
/1/

Vértice del frío (2023)
A girl lives a traumatic experience due to drugs, her friend's words are the breath that makes her float again
poster
?
100
/1/

Speed (2020)
SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resou... Morerces on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time. Less
poster
?
6.5
/6/

Centers (1971)
Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.
poster
?
30
/2/

Arbitrary Logic (1987)
Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of an improvised and computer music performance with Keith Rowe at the London Filmmakers Cooperative, December 1989.
poster
?
20
/1/

Untitled #29.95 (1999)
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
poster
?
26
/3/

ACT III (1983)
Abstract video art set to the music of Philip Glass.
poster
?
100
/1/

Temporally (2020)
TEMPORALLY tells the story of an Italian thunderstorm through the eyes of a Japanese painter. The lightning itself fusions with its environment and creates a hypnotic point of view. The sound in the video was recorded on the occasion of the exceptionally high water alert in Venice, Ital... Morey. The alarm is composed of two parts. The first was the sirene in use under bombardments during WW2, whereas the second is designed by the University of Venice and should be heard during all the sleep phases, yet not causing any panic. The images themselves were shot during multiple thunderstorms in the mountains between Lake Lugano and Lake Como. So, an interplay of salt and sweet water. Furthermore, the title TEMPORALLY is a combination of the Italian word for storm "temporale", and the word for atmospheric weather "tempo" which in English means rhythm and rally, thus a race of lightning, in the end, following in a recovery. Less


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