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1
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0
1
2
3
4
5
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0
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1
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Home and Garden
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Musical
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Reality
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Short
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Sport
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Western
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Action
Adventure
Animation
Anime
Biography
Children
Comedy
Crime
Documentary
Drama
Family
Fantasy
Film Noir
Game Show
History
Holiday
Home and Garden
Horror
Music
Musical
Mystery
News
Reality
Reality TV
Romance
Science Fiction
Sci-Fi
Short
Soap
Special Interest
Sport
Sporting Event
Superhero
Suspense
Talk Show
Thriller
TV Movie
War
Western
Exclude Genres
Action
Adventure
Animation
Anime
Biography
Children
Comedy
Crime
Documentary
Drama
Family
Fantasy
Film Noir
Game Show
History
Holiday
Home and Garden
Horror
Music
Musical
Mystery
News
Reality
Reality TV
Romance
Science Fiction
Sci-Fi
Short
Soap
Special Interest
Sport
Sporting Event
Superhero
Suspense
Talk Show
Thriller
TV Movie
War
Western
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Avestan
Aymara
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Chamorro
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Chuvash
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Ndebele
Ndonga
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No Language
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Oriya
Oromo
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Persian
Polish
Portuguese
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Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
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Sindhi
Sinhalese
Slavic
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Swedish
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Tatar
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Tsonga
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Turkmen
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Uighur
Ukrainian
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Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Include Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Language to exclude
Exclude Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Exclude Language
[Original]
[Main Spoken]
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Hausa
Hebrew
Herero
Hindi
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kannada
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Malayalam
Maltese
Mandarin
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndebele
Ndonga
Nepali
No Language
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tamil
Tatar
Telugu
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
Certification
Certification
G
PG
PG-13
R
Not Rated
NC-17
Certification
G
PG
PG-13
R
Not Rated
NC-17
Age Rating
Kids Age
[Only CC Ratings]
2+
3+
4+
5+
6+
7+
8+
9+
10+
11+
12+
13+
14+
15+
16+
17+
18+
Not Rated
Kids Age
[Only CC Ratings]
2+
3+
4+
5+
6+
7+
8+
9+
10+
11+
12+
13+
14+
15+
16+
17+
18+
Not Rated
Country to include
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Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
Burma
Burundi
Caicos Islands
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos Islands
Colombia
Comoros
Congo Brazzaville
Congo
Cook Islands
Costa Rica
Cote Divoire
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Cuba
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Denmark
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Egypt
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Equatorial Guinea
Eritrea
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Ethiopia
European Union
Falkland Islands
Faroe Islands
Fiji
Finland
France
French Guiana
French Polynesia
French Territories
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
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Indian Ocean Territory
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Nigeria
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Romania
Russia
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Saint Lucia
Saint Pierre
Saint Vincent
Samoa
San Marino
Sandwich Islands
Sao Tome
Saudi Arabia
Senegal
Serbia
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
Spain
Sri Lanka
Sudan
Suriname
Svalbard
Swaziland
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timorleste
Togo
Tokelau
Tonga
Trinidad
Tunisia
Turkey
Turkmenistan
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom
United States
Uruguay
Us Minor Islands
Us Virgin Islands
Uzbekistan
Vanuatu
Vatican City
Venezuela
Vietnam
Wallis and Futuna
Western Sahara
Yemen
Zambia
Zimbabwe
Country to exclude
Exclude Country
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antigua
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia
Botswana
Bouvet Island
Brazil
British Virgin Islands
Brunei
Bulgaria
Burkina Faso
Burma
Burundi
Caicos Islands
Cambodia
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69
54
IMDb
6.9
/1566/
Trakt
58
/30/
TMDb
66
/32/
Letterboxd
3.7
/2808/
Tomato
63
/40/
Popcorn
86
/116/
Metacritic
67
/7/
Cremaster 3 (2002)
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
77
48
IMDb
6.6
/59/
Trakt
82
/135/
TMDb
76
/54/
Letterboxd
4.2
/13846/
Black Mirror (2011)
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
55
10
IMDb
5.4
/159/
Trakt
39
/12/
TMDb
60
/12/
Letterboxd
3.5
/361/
Kusama's Self-Obliteration (1967)
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
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IMDb
Trakt
TMDb
85
/2/
Claustro (2022)
Short film in competition at the 48Hours Film Project. Sci-Fi/Mystery genre. Directed by Simone Marsella, starring Ludovica Castrichella, Dario Grasso and Federico Imola.
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Trakt
10
/1/
TMDb
A Scenic Harvest from the Kingdom of Pain (1984)
Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".
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Trakt
TMDb
100
/1/
Diotima (2024)
"Dancing is sculpting in time." Diotima captures the fluid grace of two people sculpting time through dance, in a continuous one-take shot around Indy Simin's "Echt in Vorm." Their movements inside, around, and upon the sculpture reveal a simple unity, where shapes, dancers, and their e
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nvironment are perpetually in motion, blending into an inseparable, seamless harmony of a never-ending dance.
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10
/1/
TMDb
The Big Wheel (1980)
During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywhe
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el that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."
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IMDb
7.3
/24/
Trakt
70
/1/
TMDb
Euphoria (2022)
Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring
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capitalism, colonialism, and the influential effects of unlimited economic growth in society.
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10
/1/
TMDb
Rock Video: Cherry Blossom (1986)
A single-channel version of Kubota's installation of the same name, Rock Video: Cherry Blossom is a lyrical fusion of nature and technology. Branches of pink cherry blossoms etched against a vivid blue sky are the starting point for this sensual visual haiku. Through a fluid application
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of electronic processing, Kubota layers, digitizes, slows, colorizes and ultimately abstracts the cherry blossoms, creating poetic transmutations of space and image. The mesmerizing and unexpectedly witty confluence of serene blossoms and energetic imaging effects—the transformation of the organic into the electronic—is quintessential Kubota.
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70
/1/
TMDb
Breaking Point (2019)
Short experimental film by Nan Wang
60
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IMDb
7.2
/100/
Trakt
50
/2/
TMDb
Letterboxd
3.5
/217/
Tomato
50
/6/
Marcel Duchamp: The Art of the Possible (2020)
A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
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Trakt
TMDb
Lagom: Breaking Bread With the Self-Righteous (2017)
Shot in Sweden, the short film, ‘LAGOM: Breaking Bread With The Self-Righteous’ sees an appearance by Lhola Amira. She does not perform, she just appears. She looks a little lost in a field of flowers in bloom, a vista of beauty, yellow everywhere; she does not pluck a single flower. ‘L
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AGOM’ is the Swedish ethos of “not too much, not too little – just the appropriate amount.”
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TMDb
Broken Eyes (2023)
Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.
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Trakt
TMDb
Decalcomania (2025)
N/A
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Trakt
TMDb
Ride
This video installation explores the representation of Black bodies in the French cultural and media landscape. Jérémie Danon and Kiddy Smile bring together personalities from diverse backgrounds in cars, allowing them to share common reflections and personal experiences.
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Trakt
TMDb
All this Roughness (2020)
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
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Trakt
TMDb
Tierra (2024)
"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machin
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e-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
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TMDb
Dust Narrative (2013)
An audiovisual work that consists of 6593 frames of dust collected and scanned over a 2 month process by Nan Wang into an animated work combined with digital footage.
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Trakt
TMDb
Digital Video Effect: ‘Holes,’ (2003)
"...Digital Video Effect: “Holes”, 2003, in which the appearance of thousands of dots on screen—revealing and concealing images of horrible accidents (which Price, again, found online)—is accompanied by as many key strikes on a synthesizer whose notes sample the human voice. The resulti
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ng sound (in the tonality one possesses when a doctor employs a tongue depressor and asks you to say “ahhh”) also induces a nausea." - Excerpt from Artforum
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TMDb
Dieter Roth. Solo Scenes. 1997-98 (1998)
These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also
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while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.
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TMDb
Looking through a Glass Darkly (2023)
An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myt
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h is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts
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TMDb
Narcissus (2020)
"Narcissus" by the sculptor and installation artist Christina A. West. As was used in her 2020 exhibition titled "Looking at a Naked Man."
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TMDb
From Here to There (2020)
After developing a poem at the height of the lockdown on a dystopian journey through the streets of North London to the tranquil relief of the Park. The poem, illustrated with the occasional image, reflects the range of emotions many people have gone through in these difficult times.
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Trakt
TMDb
Wunderkammer (2022)
This cabinet of curiosities is a product of the exchange of ideas with the artist Ricardo González . We talked about how the cymatics and patterns that nature produces have an echo in artisanal production in Masaya, Nicaragua. Visits to various museums in Paris gave further support to these observations. This video installation condenses that meeting of ideas.
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TMDb
superposition (2012)
superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics. Performers will appear in Ikeda’s work for the first time, performing as operator/conductor/observer/examiners. All the compo
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nents on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness – these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.
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TMDb
Pixel Forest (2016)
Each pixel is separated like an exploded screen, set in a chaotic way into the space. The video has a whole movement in the room, as one three dimensional image. The experience resembles the brain, working with electromagnetic waves and low voltage information.
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Trakt
TMDb
Video Wall Installation of John Cage’s 4’33″ (2013)
In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by N
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ew York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.
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TMDb
I'm Just Happy to Be Here (2017)
An installation containing video files of the artist's persona, alongside a karaoke piece of her as she watches her viewership fall and two mirrors side by side of messages she received, from two different users online.
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Trakt
TMDb
The Flood (2021)
The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been consi
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dered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.
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Last Riot (2006)
The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish. Crossing its own borders in to new zones, it absorbs its founders and mutates in to something absolutely new. In this new world real wars look like a game o
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n americasarmy.com. Prison torture appears more like the sadistic exercises of modern-day valkyries. Technologies and materials transform the artificial environment in to a fantasy landscape of a new epoch. This paradise is a mutated world where time is frozen and the past is neighbor to the future.
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TMDb
VISAGE-MASQUE (2010)
Video installation (loop) EMCA 2010.
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TMDb
Philippe-Alain Michaud, le réel traversé par la fiction (2016)
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in t
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his film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
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c: won eyed jail (2005)
c: won eyed jail is a 35mm film project consisting of two parts: a quilt patterned out of 35mm still negatives and 35mm found motion picture, and a traditional film print of the quilt that is screened through a 35mm motion picture projector.
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