When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father Willis from Los Angeles who is searching for a place to retire, their two very different worlds collide.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Guy Luthan, a British doctor working at a hospital in New York, starts making unwelcome enquiries when the body of a man who died in his emergency room disappears. After the trail leads Luthan to the door of an eminent surgeon at the hospital, Luthan soon finds himself in extreme danger people who want the hospital's secret to remain undiscovered.
A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy.
In the wake of an environmental collapse that has forced humanity to shed 20% of its population, a family dinner erupts into chaos when a father's plan to enlist in the government's new euthanasia program goes horribly awry.
Following the death of her mother, a young woman returns home to Niagara Falls and becomes entangled in the memory of a kidnapping she claims to have witnessed as a child.
A jaded homicide detective has been put on the case of a ruthless killer in the city of Chicago, who leaves a trail of horribly mutilated and dismembered corpses along with perversely ironic biblical quotes.
Documentary showcasing the work of prominent film directors in the horror genre. Featuring interviews with the directors, behind the scenes footage and clips from popular horror films, and hosted by Bruce Campbell, star of The Evil Dead (1981).
In 1994, in Toronto, the vampire Boya awakens from his twenty-five years of sleep in a basement hit by a golf ball. He takes a cab to the local cemetery, retrieves his belongings from a grave and lodges in a low budget hotel nearby an all-night donut shop. Boya does not drink human blood anymore but rats and pigeons blood instead. While in the donut shop, Boya befriends and protects the taxi driver Earl, who is having trouble with two criminals, and falls in love for the waitress Molly. Meanwhile, his former passion of 1969, Rita, who misses her lost youth, is trying to locate him.
In the year 2455, Old Earth is now a contaminated planet abandoned for centuries -- a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it's not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it's Friday the 13th, and Jason lives!
Director Guillermo del Toro journeys through a labyrinth of childhood memories, cultural myths and monsters to reveal the origins of his visionary films.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Through the use of interviews (both vintage and new) with various cast and crew members, including Rick Baker, Bill Sturgeon, David Cronenberg, James Woods among others, as well as behind-the-scenes footage, this tells the story of how the special effects in the film were created.
Documentary, based on a British poll, listing the 100 sexiest movie and TV moments. Supplemented by new interviews with performers, filmmakers, and authors/critics.
At the Suicide of the Last Jew in the World in the Last Cinema in the World (2007)
A short film made for "To Each His Own Cinema". In an unspecified future, a man prepares to kill himself in a cinema toilet. Two unseen radio commentators say he is the last Jew in the world, and that this is the last cinema, slated for destruction. They are not sorry to see it go.
Director David Cronenberg discusses his transition from the experimental filmmaking of 'Stero' and 'Crimes of the Future' to working within the commercial Canadian film industry.
Moments after surviving an all-out attack from the Le Domas family, Grace discovers she’s reached the next level of the nightmarish game — and this time with her estranged sister Faith at her side. Grace has one chance to survive, keep her sister alive, and claim the High Seat of the Council that controls the world. Four rival families are hunting her for the throne, and whoever wins rules it all.
A day in a life tour diary with David Cronenberg, as he brings his film "A History of Violence" to the Cannes Film Festival (2005) for its first public screening.
Long Live the New Flesh: The Films of David Cronenberg (1987)
Documentary about the career of director David Cronenberg, with clips from his films and interviews with friends, colleagues, film critics and Cronenberg himself.
Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004)
This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.
Mick Garris hosts this look at horror films with John Carpenter, John Landis and David Cronenberg all discussing their favorite scare films as well as what they think makes them work.
John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.
A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.
A Kaleidoscope of Meaning: Colour in Don't Look Now (2019)
New featurette, David Cronenberg, cinematographer Anthony B. Richomond, and professor Sarah Street (University of Bristol), amongst others, discuss the use of color in Don't Look Now as well as the manner in which it affects the film's tone and atmosphere
age 16+
