Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.
Itam Hakim Hopiit, which translates as "we / someone, the Hopi," is a poetic visualization of Hopi philosophy. Made at the time of the Hopi Tricentennial - marking 300 years since the 1680 Pueblo Revolt against Spanish colonial rule – the film presents a view of Hopi culture and history. Speaking in Hopi, a community elder shares personal recollections and cultural history, recounting stories of the Hopi emergence, perseverance, and the Bow Clan migration stories of his father. Through use of the film medium, Masayesva challenges viewers to understand the Hopi conception of time as cyclic, in which the world starts, ends, and starts again.
Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.
Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.
Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.
Ariane and Simon met down by the water. Simon has managed to prize Ariane away from her friends, a bunch of free and arrogant girls, and move her into his place, with her own room at the end of the hall and her own bathroom next to his. He has taken on Andrée, one of the girls from the bunch by the water, to watch over Ariane, escort her wherever she goes and report back to him on everything she does. Andrée becomes Ariane’s accomplice. She’ll tell lies for her, and with her, and most likely they’ll make love together when the mood takes them.
London's jewel thieves are under the thumb of a mysterious fence, who ruthlessly exposes any thief who crosses him. Desperate, Scotland Yard re-hires ex-Inspector Barrabal who, as a known drunkard, is ideally suited to go undercover with a faked criminal record (which may spoil his chances with lovely Carol Stedman).
Margot Zeller is a short story writer with a sharp wit and an even sharper tongue. On the eve of her estranged sister Pauline's wedding to unemployed musician/artist/depressive Malcolm at the family seaside home, Margot shows up unexpectedly to rekindle the sisterly bond and offer her own brand of support. What ensues is a nakedly honest and subversively funny look at family dynamics.
An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
Gilbert & George are renowned for presenting themselves as ‘living sculptures,’ fusing their art and identity with the external world. Their exploration of the bleak urban surrounds of 1980’s London, powerfully evoke the desires and tensions of its disillusioned youth alongside their own eccentricities. Poetic narration combines with vivid imagery that moves between the startlingly beautiful, the humorous, and the absurd. Church spires and city streets, youth and drunks, dancing and tea-drinking all take on an affecting symbolism when viewed from the unique perspective of Gilbert & George.
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mob boss wants him killed. Desperate and terrified, he calls Mikey, his friend since childhood and a fellow gangster. So begins a long night…
A businessman with a disfigured face obtains a lifelike mask from his new doctor, but the mask starts altering his personality and causing him to question his identity.
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.
Mr. Freedom, a bellowing good-ol'-boy superhero decked out in copious football padding, jets to France to cut off a Commie invasion from Switzerland. A destructive, arrogant patriot in tight pants, Freedom joins forces with Marie Madeleine to combat lefty freethinkers, as well as the insidious evildoers Moujik Man and inflatable Red China Man, culminating in a star-spangled showdown.
In this classic French satire, Louis, a convict, escapes from prison and takes on legitimate work, making his way up in the business world. Eventually becoming the head of a successful factory, Louis opts to modernize his company with mechanical innovations. But when his friend Émile finally leaves jail years later and reunites with Louis, the past catches up with them. The two, worried about being apprehended by police, long to flee the confines of industry.
An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.
Shortly after the Gulf War, oil fires were raging all through Kuwait. In the week before this sea of fire would be extinguished, Werner Herzog filmed this apocalyptic landscape with its murky skies, scorched earth and capricious flames.
In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.
A recovering drug addict is granted a day’s leave from rehab and returns to Oslo, where he reconnects with friends, faces the weight of his past, and struggles with uncertainty about his future. Over the course of one day, he drifts through encounters that reflect his longing for connection and his deep sense of alienation.
After the birth of his first child, Roberto, a young Mexican man, slips across the border into the United States. Seeking work to support his family back home, he finds that working hard is not enough.
A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.
A young daydreamer assumes the identity of a dead martial arts hero and quickly finds himself caught up in a plot by several clans to steal famous martial arts artifacts being transported by an escort company.
A Korean theater troupe travels to Greece to rehearse a new production of Aeschylus' Agamemnon. The secluded setting offers a stunning backdrop to the tensions mounting between the lead actress, the domineering director, and various members of the company. BAMcinemaFest alum Ougie Pak (Sunrise/Sunset) lays bare the group dynamics of artmaking and patriarchal power structures, transposing the framework of classic Greek tragedy to a thoroughly modern context.
A 17th-century nun becomes entangled in a forbidden lesbian affair with a novice. But it is Benedetta's shocking religious visions that threaten to shake the Church to its core.
A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.
During the bombing of Naples in World War II, a cynical businessman helps a naive prostitute, who spends the next two decades desperate to have him reciprocate her feelings.
Ludvig and Sussi Battwyhl, Louis and Katja Brenner and Julia and Kurt Balzar are upper class millionaires. They don't seem to do any real work but still need a vacation in the mountains. Everybody seems to be romantically involved with everybody. A rich American woman joins them.
This slim documentary commissioned by the US Information Service concerns Hispanic shepherds in New Mexico. The makeshift narrative centers on Miguel, a boy on the cusp of puberty who wants nothing more than to go to the Sangre de Cristo Mountains and help tend to the sheep like his father and older siblings. It's evocatively shot with a striking sense of place and a good feel for farm life. The film was obviously shot on the cheap (voiceover narration is used in lieu of dialogue, and the film seems to have been fully post-dubbed, sometimes badly), but it's an engaging peek into a rural lifestyle few of us would otherwise experience.
Presenting a behind-the-scenes account of a visionary at work. From Oscar-nominated Mike Figgis, Megadoc gives audiences an unfiltered and intimate look at the making of Francis Ford Coppola’s epic sci-fi drama Megalopolis.
With most of his family already dead at Ogami Itto's hands, Retsudo launches one final plot to destroy him, and when that fails, unleashes the fury of every remaining member of the Yagyu clan.
Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Zatoichi is a blind massage therapist and swordsman who finds out that something troubling is taking place on the outskirts of town. After discovering who the guilty parties are -- an accomplished Chinese martial artist named Wang Kang and his youthful attendant -- Zatoichi finds them and discovers that the pair's mixed up with a dangerous bunch of terrorist samurai who murdered the boy's parents. Now, Zatoichi must step in to save the day.
age 17+
