Shiteater (1993)

Originally made in 16mm, as the fourth part of the feature-length wordless psychodrama collection House of Pain. Shiteater is a carefully hewn assault on a society bent on consuming itself, an homage to late capitalist ideals of corporate mergers and the dissolution of perimeters – state borders, regulations and individual privacies are redrawn in the light of oligarchy. Psychodramatic in form, Shiteater features a single protagonist, Vancouver’s performance artist Andrew Wilson. Wilson’s transgressive fin-de-siecle performances have typically joined pop culture icons in onanistic rites of excess and immolation, using the body as the intersection of competing and unbearable pressures.