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The Best Sonia Ganassi Movies. Go to The Best Shows

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poster

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7.9

/11/

20

/1/

60

/1/

Maria Stuarda is a searingly dramatic setting of Friedrich Schiller’s play about Mary, Queen of Scots, and her political and personal rivalry with Queen Elizabeth I of England. While based relatively closely on historical characters and events, the opera’s central scene is fictional: the highly emotional meeting of the queens that concludes the first act (originally invented by Schiller) never took place. It’s a dramatic device that brilliantly highlights the two women’s contrasting characters.

poster

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90

/1/

The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion. Norma discovers the love between Pollione and Adalgisa. Furiously she gives the signal for war. Pollione is captured, attempting to steal away with Adalgisa. Norma, called upon to announce a sacrificial victim to consecrate the uprising, declares it shall be a guilty priestess: herself.

poster

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8.1

/17/

60

/1/

Live from La Scala Wednesday 10 December 2003

poster

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95

/2/

90

/1/

NORMA tells the tragic story of a supposedly chaste druidic priestess, who is driven to murderous jealousy by her lover's inconstancy. But she forgoes vengeance, protects innocence, and sees to it that the guilty atone for their crimes. Fiorenza Cedolins, Sonia Ganassi, Vincenzo La Scola, and Andrea Papi star in this 2007 Gran Theatre Del Liceu/Grand Theatre de Geneve co-production of the Bellini opera.

poster

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8.4

/12/

45

/2/

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

poster

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90

/1/

Lluis Pasqual's powerful production for the Spanish capital sets Da Ponte's timeless story of sleaze and seduction into the dark world of 1940s Spain. Carlos Álvarez, in the title role, toys with the affections of Donna Anna, Zerlina and the Spanish lady Donna Elvira, before his overpowering methods finally bring his own destruction.

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80

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Recorded live from the Teatro Regio di Parma, 8 October 2011

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Arthaus presents Rossini's popular comic opera, La Cenerentola, in a staging from the opera house in Naples. The operatic re-telling of this much loved fairy-tale centres on Cinderella's honesty and integrity, and on her willingness to forgive others, and to encourage those around her to be equally tolerant. Paul Curran's production presented to rapturous acclaim in Genoa in May 2006, finds a rather unusual setting for this moral tale. He sets the story in the year 1912, in his own words, "because I wanted to draw attention to social conflicts, and this was a period when class differences were very real".

poster

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The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.

poster

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N/A

poster

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Vincenzo Bellini wrote two tragic operas for Teatro La Fenice: I Capuleti e i Montecchi and Beatrice di Tenda. The first, composed in 1830 and to the story of Romeo and Juliet but not based on Shakespeare but rather on an early nineteenth-century tragedy by Luigi Scevola in a new production by Arnaud Bernard (direction), Alessandro Camera (sets) and Maria Carla Ricotti (costumes), co-produced with Fondazione Arena di Verona (where it was presented at the Teatro Filarmonico in November 2013) and with the Greek National Opera of Athens. The cast includes Jessica Pratt and Mihaela Marcu as Giulietta; Sonia Ganassi and Paola Gardina as Romeo; Shalva Mukeria and Francesco Marsiglia as Tebaldo; Rubén Amoretti as Capellio; and Luca Dall’Amico as Lorenzo, conducted by Omer Meir Wellber.

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Hermione, whose consort Pyrrhus has fallen in love with Andromache, is torn apart by hatred and love. When Adromache yields to Pyyrhus, in order to save her son, Astyanax, Hermione is overcome with jealousy and invites Orestes to avenge her. Dominated by a desperate, inextinguishable passion for her, Orestes accepts. But love is stronger than hatred and when Orestes returns with his dagger dripping blood, Hermione is seized with pain and collapses on the ground cursing him. From the Rossini Opera Festival, 2008.

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