mdblist.com logo The Best Jasper Johns Movies. Go to The Best Shows


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poster
73
31
6.9
/150/
70
/3/
67
/7/
75
/16/
88
/10/
70
/10/

Who Gets to Call It Art? (2006)
Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.
poster
Kanopy
?
6.1
/14/
10
/1/

End of the Art World (1971)
This is the debut documentary made by Alexis Krasilovsky, author of "Women Behind The Camera" (Praeger, 1997). Shot on 16mm in 1971, the film covers much of the New York avant-garde of the time.
poster
Kanopy
?
10
/1/

Jasper Johns: Decoy (1973)
Jasper Johns’s Decoy is rooted inside the notions of reproduction, transformation and memory. Believing that an image gains new meaning each time it is presented, Johns boldly confronts his own past work, most notably Ale Cans (1964), and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows both Johns and his spectators to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As noted in the film, “each time a motif is used and reused additional memories accrue, new layers of meaning, and the image itself begins to acquire its own history.” (Jasper Johns) It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art, thus redirecting society’s interpretation.
poster
Kanopy
?
7.5
/12/
10
/1/

American Art in the 1960s (1972)
During this critical decade in American life, artists built on the styles of the 1950s. An explosion of artistic energy produced Pop Art, Minimalism, color-field painting, and hard-edged abstraction. Sculptors and painters on both coasts explored new methods and new subject matter. American Art in the Sixties examines the key figures of that decade including Rauschenberg and Johns, two crucial transitional figures between Abstract Expressionism and the sensibilities of the new decade. The art of that time mirrors the optimism and the affluence, and the technology and the vulgarity of those boom years.
poster
?
8.2
/24/
25
/2/

Galaxie (1966)
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.


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