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poster
68
39
6.8
/4550/
72
/63/
66
/28/
3.3
/678/

Glass Tiger 2 (2006)
In the sequel to the surprise hit Üvegtigris (2001), we witness the 6 losers again as they run amok around the roadside buffet, which again fails to make their dreams come true, but which serves as the basis and end station of numerous funny adventures.
poster
65
37
6.1
/2026/
62
/33/
48
/22/
3.4
/607/
89
/9/
65
/18/

The District (2004)
In an effort to end family feuding, a young gypsy travels back in time to kill mammoths to ensure Hungary becomes rich by killing mammoths in order to create a massive oil reservoir. Things don't go entirely according to plan...
poster
63
28
6.5
/1398/
64
/60/
56
/22/
3.5
/900/

Free Fall (2014)
An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.
poster
64
21
6.3
/1800/
64
/65/
65
/11/
3.2
/474/

Open (2018)
Relationship dramedy about an everyday couple adventuring through the confusing thrills of non-monogamy.
poster
?
7.3
/39/
40
/2/
50
/1/

Aranymadár (2000)
N/A
poster
54
?
5.3
/223/
56
/4/

A Bus Came… (2003)
"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.
poster
?
4.6
/66/
60
/3/
60
/1/

Love you like an animal (2018)
Love you like an animal
poster
58
?
5.5
/410/
51
/10/
70
/3/

Black Soup (2014)
After a long night, Dj Feaky D loses a large sum of money on poker. When an old friend offers a "great opportunity of easy money", he calls up on his buddies locked away in a mental institution.
poster
?
5.0
/87/
60
/1/
41
/4/

Login (2013)
The world of online dating becomes a site for pleasures, fantasies, and tragedy in LOG IN.
poster
53
?
5.5
/489/
65
/6/
40
/2/

Nosedive (2007)
NOSEDIVE depicts a world of unlimited drugs, wild parties, beautiful people, and no sleep. However, when reality takes a dark turn, a group of characters are forced to step out of the nightclub and into darkness.
poster
44
?
3.7
/608/
51
/15/
44
/8/

Egy bolond százat csinál (2006)
László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.
poster
68
?
6.1
/906/
66
/47/
83
/4/
3.1
/314/

Neither with You (2019)
Gergő’s mother is obsessed with having a grandchild. She has a serious heart disease and has only days left to live. To give his mum some joy during her final hours, Gergő asks his neighbour Saci, who is five months pregnant, to visit his mother in hospital with him and tell her that she is carrying his child. It all goes smoothly, but a new heart arrives, and his mum is operated. Therefore, Gergő and Saci are forced to play the roles of the loving couple.
poster
?

RECYCLEd (2005)
As part of the Temps d'Images festival, TRAFÓ Budapest produced 'bildtheatre' performances titled RECYCLEd, experimenting with the relationship between theatre and film, exploring the analogies of recycling, which in this context refers to any cyclically repeated notion. The dramaturgies of the productions were shaped by themes, according to which their far-fetched ideas were transformed and thus became open to further use, i.e., symbioses formed between them when they were recycled. These fictional etudes by Pater Sparrow were short sensations based on dialogues, represented by strange characters, in some shifted spaces and times and in surreal settings, teeming with visual allegories and codes.


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