mdblist.com logo The Best Rajlakshmi Devi Movies. Go to The Best Shows


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poster
78
36
8.3
/2477/
73
/32/
79
/20/
3.8
/1553/
79
/4/

Two Acres of Land (1953)
An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
poster
?
7.1
/15/
10
/1/

Sathi Hara (1961)
Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.
poster
?
10
/1/

Uttar Megh (1960)
A 1960 Bengali Romantic Drama Film directed by Jiban Gangopadhyay, featuring Mahanayak Uttam Kumar & Supriya Devi in lead roles.
poster
?
10
/1/

Laksha-Heera (1956)
A 1956 Bengali Drama Film directed by Chittaranjan Mitra.
poster
?
7.7
/23/
10
/1/

Shyamali (1956)
Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.
poster
?
7.9
/85/
10
/1/

Shap Mochan (1955)
Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.
poster
?
7.2
/19/
10
/1/

Shubha Bibaha (1959)
When a bride vanishes on her wedding day, a web of secrets and forbidden love is exposed. Caught in the crossfire are two young women, each battling against the constraints of caste and tradition. As their lives intertwine, a powerful story unfolds about the enduring power of love and the devastating consequences of societal expectations.
poster
?
10
/1/

Nastanirh (1951)
A film based on the novella "Nastanirh" by Rabindranath Tagore written in 1901.
poster
?
10
/1/

Manik Jor (1952)
Nondo and Gobindo are both rich people who live in a village. But they had married in the city. One day Nondo writes Gobindo's father-in-law that they are coming to the city and want to stay there. But after arriving in the city, they found nobody was waiting for them in the station. Then they meet somebody who is also looking for some people. So, he takes them into their house. After receiving the hospitality, they realized they were in the wrong place. They decided to go to a hotel. After reaching there they met some people and day by day they had different experiences in the city. Then they accidentally reached a film shooting spot and after then through some incident, they reached a police station. After that, they found their house and again did some hilarious incidents in his father-in-law's house.
poster
?
8.2
/13/
10
/1/

Chandranath (1957)
Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.
poster
66
?
7.3
/130/
55
/7/
65
/4/
3.6
/226/

The Wedding Day (1960)
The tragic story set in the late 1930s, just before famine struck Bengal. It tells of the marriage of a dumpy middle-aged salesman of small goods to a beautiful teenager, and how, after initial days of happiness together, a series of misfortunes strike which slowly embitter the man.
poster
?
8.3
/18/
10
/1/

Padi Pishir Barmi Baksha (1972)
Khoka is a schoolboy who goes to his uncle's house, where he learns about the tales of Padi Pishi (Aunt Padi), a formidable widow. She had once gone to Khuro's house to meet him, but bandits attacked her. When Khuro got to know about it, he offered her bribes from his loot so that the news would not be public. Padi Pishi then took a precious Burmese box that was hidden in Khuro's house. Before Padi's Pishi's death, she did not reveal the hiding place to anyone except her son Goja. The entire family searched for the missing box but could not recover it. A private detective also searched for the box but could not find it. The story is about how it is finally discovered. Padi Pishir Barmi Baksha is an Indian Bengali adventure comedy film directed by Arundhati Devi. It is based on the children's novel of the same name by Leela Majumdar.
poster
44
?
7.9
/128/
10
/1/

Chaowa Pawa (1959)
Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he ends up falling in love with her.
poster
?
6.0
/11/
10
/1/

Hashi Sudhu Hashi Noy (1963)
N/A
poster
?
10
/1/

Mayakanan (1953)
The story follows two friends, Mohan and Bhola, who stumble upon a mysterious garden house called "Mayakanan." The house is owned by Dr. Naresh Ray, a wealthy scientist with a dark secret. When Ray sets his sights on Shanta, Mohan's fiancée, he resorts to sinister tactics to win her over.
poster
?
6.5
/26/

Uttarayan (1941)
A 1941 Bengali film directed by Pramathesh Barua; the film was remade in 1963.
poster
?
6.9
/20/
10
/1/
80
/1/

Raja-Saja (1960)
Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.
poster
59
?
7.7
/160/
40
/2/

Musafir (1957)
The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’
poster
?
7.8
/62/
35
/2/

Lukochuri (1958)
Shankar and Buddhu are identical twins. Shankar, unbeknownst to Buddhu, has found love with a painter; Buddhu meanwhile falls in love with the painter’s sister, who works at his office. As neither sister knows her lover has a twin, and Buddhu is unaware of Shankar’s romance, confusion ensues.
poster
?
7.1
/15/
10
/1/

Pratham Kadam Phool (1970)
Kakoli and Sukanto meet in a library reading room. They gradually grow closer to each other and start meeting frequently. One day, she visits Sukanto at his home and her appearance moves everyone in his family. Sukanto's mother wants them to marry but Kakoli's parents refuse the proposal. So, Kakoli leaves the home of her father and begins working as a receptionist. However, misunderstandings soon develop between her and Sukanto.
poster
?
5.2
/22/

Gora (1938)
Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.
poster
?
7.4
/42/
63
/3/
57
/3/

Udayer Pathey (1944)
Acclaimed director Bimal Roy’s debut feature about a struggling writer established him as an important Bollywood voice through its realistic portrayal of the simmering class conflicts in pre-independence India. Anup (Radhamohan Bhattacharya) loses his job writing speeches for a wealthy industrialist and decides to focus on finishing his novel. But when his former boss steals Anup’s unpublished book, he throws himself into socialist politics.
poster
50
?
7.1
/155/
47
/4/
35
/2/

Mamta (1966)
The son of a wealthy family, Monish falls in love with Deviyani, a girl from a considerably less privileged background. When Monish leaves to study abroad, the lovers plan to reunite, but desperate financial straits force Deviyani into a marriage with a philandering drunk instead. Deeply unhappy, she flees, taking her infant daughter with her and vanishing into thin air. Does fate have more than misery in store for the unfortunate Deviyani?
poster
?
6.0
/9/

Adhikar (1939)
Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.
poster
?
8.4
/26/
40
/2/

Jiban Jigyasa (1971)
Indra and Radha's love is short-lived when he decides to go abroad. Soon enough, Radha's life takes an ugly turn when her child with Indra, born out of wedlock, dies and she is accused of murder.
poster
?
8.3
/49/
10
/1/
10
/2/

Nishi Padma (1970)
Pushpa, thrown out of her house by her husband, is pushed into prostitution by someone she trusts, and has a complex relationship with an unhappily married businessman, but finally gets what she has always longed for.
poster
?
8.8
/68/
55
/2/

Uttar Falguni (1963)
A story of love and sacrifice of a mother who did everything to protect her child ,even from her husband.
poster
?

Janak Nandini (1939)
A 1939 Bengali Mythological Film directed by Phani Burma.
poster
?
5.8
/7/

Swami (1949)
A 1949 Indian Bengali Film directed by Pashupati Chattopadhyay.
poster
?
7.0
/8/

Parashmoni (1939)
A 1939 Bengali Drama Film directed by Prafulla Ray.
poster
?

Samadhan (1943)
A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.
poster
?

Kamona (1949)
Kamona is a Bengali drama film directed by Nabendu Sundar. This movie was released on 4 March 1949 under the banner of Kirti Pictures. This is the second film of Bengali actor Uttam Kumar after Drishtidan and his debut as the leading person crediting him as Uttam Chatterjee instead of Arun Kumar Chatterjee.
poster
?

Purbarag (1947)
Purbarag follows the journey of Indranath, a young man deeply influenced by his early childhood experiences. Orphaned at a young age, Indranath finds solace and guidance from his teacher, Jatileswar Chatterjee, and his family. After completing his education, Indranath returns to his hometown and encounters both familiar faces and new challenges. The film explores themes of loss, love, friendship, and the search for meaning in life. Indranath's experiences reflect the societal changes and cultural shifts of the time. Through his interactions with various characters, he grapples with the complexities of human nature and the importance of personal values.
poster
?

Mayer Pran (1941)
A 1941 Bengali Drama Film directed by Pramathesh Barua.
poster
?

Abhigyan (1938)
A wife rejected by her in-laws following her abduction is given shelter by the husband's friend. The storyline follows the wife's ambivalent feelings for her savior when she's accepted back into the family.
poster
?

Tatinir Bichar (1940)
Four sets of friends spend Halloween weekend at the Beautiful Creekside "Kamp of Antietam". Each attending is promised a "Once In A Lifetime" experience, but there's more than just fresh air and fishing going on at the K.O.A.
poster
?

Baradidi (1939)
Suren, prevented by his family from pursuing a university career, leaves home and becomes a tutor to Pramila. He falls in love with her widowed elder sister Madhavi who, although returning his love, has him sacked to save the situation.


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