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poster
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6.0
/38/
25
/2/
65
/2/

Gestures and Fragments (1983)
"Essay on the Military and the Power", a phrase that also belongs to the title of "Gestures & Fragments", sums up the spirit of the film, based on three points of view on the same theme: Otelo Saraiva de Carvalho and Eduardo Lourenço, in their own roles, and the one played by Robert Kramer, as an American journalist bent on seeking explanations for the process of the Portuguese Revolution.
poster
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6.9
/77/
10
/1/
45
/2/

Nice - À propos de Jean Vigo (1983)
Part of a series in which foreign filmmakers portray a region or town in France. Manoel de Oliveira looks at Nice.
poster
?
6.7
/41/
62
/2/

The Amazed Spectator (2016)
A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?
poster
70
?
7.0
/119/
70
/1/

O Labirinto da Saudade (2018)
Documentary adaptation of the book "Labirinto da Saudade," a deconstruction of the Portuguese ethos from a philosophical and historical point of view, written by Eduardo Lourenço.
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Maria de Lourdes Pintasilgo (2010)
Documentary about the life, convictions and career of Portugal's first and only female Prime Minister. Maria de Lourdes Pintasilgo believed that "women can be a force for radical transformation of the institutionalised irrationality in which we live. The multifunctionality of their existence, the diversity of the planes on which they move, their daily lives give them a special capacity to find a new understanding and a new effectiveness for governance in the midst of complexity". Unlike many other women who have the same conviction, Maria de Lourdes Pintasilgo turned her life into a praxis of her own belief.


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