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9.0
/8/
10
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Datta (1951)
The film is a romantic story about a wealthy Brahmo woman and a poor but intelligent Hindu man. It explores their growing love despite societal obstacles. Sarat Chandra Chattopadhyay, combines humor with serious themes and social commentary, creating a timeless story that respects women.
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10
/1/

Mayakanan (1953)
The story follows two friends, Mohan and Bhola, who stumble upon a mysterious garden house called "Mayakanan." The house is owned by Dr. Naresh Ray, a wealthy scientist with a dark secret. When Ray sets his sights on Shanta, Mohan's fiancée, he resorts to sinister tactics to win her over.
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7.1
/35/
50
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Chandidas (1932)
This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.
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6.8
/48/

Devdas (1935)
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
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Janak Nandini (1939)
A 1939 Bengali Mythological Film directed by Phani Burma.
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Jar Jetha Ghar (1949)
A 1949 Indian Bengali Drama Film directed by Chhabi Biswas. This film was Chhabi Biswas's second and last directorial film.
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7.4
/6/

Krishnakanter Will (1932)
Haralal arranges a fake will and makes Rohini, an orphaned widow, agree to change the original will for the fake one.
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Bamanabatar (1939)
A 1939 Mythological Bengali Drama film directed by Hari Bhanja.
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Abhigyan (1938)
A wife rejected by her in-laws following her abduction is given shelter by the husband's friend. The storyline follows the wife's ambivalent feelings for her savior when she's accepted back into the family.
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Roop Lekha (1934)
For the first time in Indian cinema, flashback was used for storytelling.
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Anjangarh (1948)
When a local mining company dares to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective.
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Tatinir Bichar (1940)
Four sets of friends spend Halloween weekend at the Beautiful Creekside "Kamp of Antietam". Each attending is promised a "Once In A Lifetime" experience, but there's more than just fresh air and fishing going on at the K.O.A.


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