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poster

65

33

7.2

/477/

70

/13/

75

/51/

3.6

/918/

40

/5/

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

poster

70

31

7.3

/575/

69

/19/

69

/69/

3.6

/982/

This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.

poster

70

24

7.0

/132/

65

/5/

75

/13/

3.5

/1942/

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

poster

71

14

7.1

/316/

64

/11/

70

/22/

3.6

/383/

80

/1/

The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.

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