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The Best Masaru Kodaka Movies. Go to The Best Shows

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poster

72

33

7.5

/959/

68

/17/

68

/18/

3.9

/1788/

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

poster

?

10

/1/

Japanese comedy film.

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10

/1/

Japanese sports comedy film about kendo.

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10

/1/

Rumiko, the female boss from Kanto. The film is a fierce counterattack by a Yakuza woman against all men! It shows the power of a woman who fights, a woman who makes money, and a woman who explodes! More energy than in any male movie!

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10

/1/

Japanese comedy film.

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10

/2/

A spectacular comedy with a star-studded cast that depicts unusual trials and unexpected verdicts regarding the five deadly sins: the crime of beauty, the crime of a terrifying wife, the crime of taking the wrong course, the crime of seducing, and the crime of killing with laughter.

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10

/1/

Japanese comedy film.

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10

/1/

The fifth volume of the Ningyo Sana Torimonocho series. Based on the original work by Seishi Yokomizo, the film was adapted by Mitsuo Kaneda (The Nude Model Murder Case), directed by Tatsuo Yamada, who worked on The Golden Bugyo, and shot by Kikuzo Kawasaki. Keiko Hibino, Shigeru Amachi, Tomisaburo Wakayama

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?

9.4

/17/

N/A

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?

6.2

/12/

10

/1/

Comedy-horror film by Masaki Môri.

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?

10

/1/

Domestic comedy produced by Shin Toho Studios directed by Komori Kiyoshi and starring Todoroki Yukiko and Ito Yunosuke.

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10

/1/

Japanese comedy film.

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?

10

/1/

N/A

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?

6.8

/41/

10

/1/

Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.

poster

?

6.2

/49/

10

/1/

80

/1/

The year is 1937, and it has been six months since the Sendai Infantry left for Manchuria. The rotted corpse of a young woman is found at the bottom of a well, but her face and limbs are gone. The military police begin an investigation and search fervently for the person responsible, but they can't even determine the victim's identity, much less find any clues. However, the incident is made public when newspapers give wide coverage to the story, so Staff Sergeant Kosaka is dispatched from Tokyo to solve the case. Eventually, General Tsunekichi is taken into custody by local infantrymen because of the testimony of another unit, but the spirit of the dead woman appears before Staff Sergeant Kosaka, who continues to investigate on his own...

poster

?

10

/1/

This time around, Sashichi is investigating a case of serial murders believed to be perpetrated by a giant bear.

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10

/1/

Sashichi investigates the mysterious murders of four beauties, all of whom were stabbed in the chest.

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?

4.8

/23/

20

/2/

72

/4/

The film begins strongly, with an atmospheric opening sequence, predating John Carpenter's The Fog by two decades, of shuffling ghost-like zombies, blood streaming from their faces, rising from the waves to drag the workers of a deserted shipyard,swirling with dry ice, to their doom. The ghost's main target however is the village kingpin, and employer of the local diving girls, Satomura (played by Juzaburo Akechi). When his wife and youngest daughter are abducted, it is up to his remaining daughter Nami (Banri) and her ama companions to get to the bottom of the mystery, which again revolves around sunken treasure and a gang of swarthy crooks.

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6.6

/8/

This film focuses on Koreans living in Japan. The filmmaker’s humanism comes across in the portrayal of a girl living in a shabby tenement, the warmth of a Korean girl she meets, and the friendliness of this Korean girl’s family.

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?

10

/1/

Obscure Japanese movie by director Kyotaro Namiki

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?

10

/1/

Jidai-geki by Kiyoshi Saeki (Part 2 of 2)

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?

10

/1/

Jidai-geki by Kiyoshi Saeki (Part 1 of 2)

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?

5.2

/7/

10

/1/

Earlier version or Prequel to Queen Bee and the School for Dragons.

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?

6.1

/10/

10

/1/

With the object of discovering the male accomplice of Hideko, a bad girl, Michiko, a police-woman, disguises herself and infiltrates a gang. Then in a reformatory, under the name of Suzuko, she finds a certain girl who is familiar with Hideko and from her she approaches a woman, named Keiko. One day, at a beer-hall, the police-woman meets Keiko who just finished a secret narcotics transaction and asks her about Hideko. However, with the sudden appearance of Saburo, one of the gang, her search fails, and an exciting pursuit begins. Later Keiko is found dead.

poster

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10

/1/

One Sunday morning, Toshio Esaki, a young dentist, wakes up in his clinic. It seems that he was drunk and spent the night in the clinic instead of going home. When he goes into the laboratory to get a drink of water, he finds a woman wearing a green striped Western-style dress lying there.

poster

?

10

/1/

Japanese comedy film.

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?

6.6

/11/

10

/1/

N/A

poster

?

6.6

/95/

70

/3/

59

/7/

A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.

poster

?

6.0

/32/

50

/3/

Young men endure challenging flight training in the Yokaren, a program feeding new pilots into the Army and Navy. By the time of the filming, the pressure of the war had led the government to shorten the training and expand the age range of the recruits. Yokaren was highly selective, and thus an object of great fascination and desire for boys and young men. In this Navy–sponsored film, Setsuko Hara plays the daughter of a family that often entertains recruits on their days off—a surrogate sister to many trainees. Her fragile younger brother aspires to join the program, but is rejected. With perseverance and much support from Hara and their mother, he surmounts his weaknesses and becomes a flier.

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6.2

/9/

A 1942 Jidaigeki by the veteran jidaigeki filmmaker Kunio Watanabe about the legendary warrior Musashibo Benkei with Hideko Takamine portraying Minamoto no Yoshitsune (who is, of course, a man). The film climaxes in the famous encounter/fight btw Benkei and Yoshitsune at the Gojo Bridge.

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5.5

/12/

Hideko, a young Baseball fan, determined to cheer for her favourite baseball team by creating a new song for them.

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?

6.3

/59/

60

/1/

60

/5/

The premature death of a young mother serves as inspiration for her husband and son.

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10

/1/

Japanese comedy film.

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?

10

/1/

Japanese war film.

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?

10

/1/

Japanese comedy film.

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?

5.8

/6/

N/A

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6.9

/16/

Chocolate and Soldiers (チョコレートと兵隊, Chokorēto to Heitai) is a 1938 Japanese war film directed by Sato Takeshi and one of the most effective Japanese propaganda films of the late 1930s. The American director Frank Capra said of Chocolate and Soldiers "We can't beat this kind of thing. We make a film like that maybe once in a decade. We haven't got the actors. It shows the common Japanese soldier as an individual and as a family man, presenting even enemy Chinese soldiers as brave individuals. It is considered to be a "humanist" film, paying close attention to the human feelings of both the soldier and his family. Cinema theorist Kate Taylor-Jones suggests that Chocolate and Soldiers provided "a vision of the noble, obedient and honourable Japanese army fighting to defend the emperor and Japan.

poster

?

7.0

/11/

10

/1/

85

/1/

The story of five sisters.

poster

59

?

6.8

/129/

53

/6/

46

/5/

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

poster

50

?

6.3

/103/

10

/1/

77

/3/

A samurai rescues a mischievous tanuki from hunters and sets it free. When the samurai's wastrel son hatches a plot to kill his father for his fortune, the magical tanuki is determined to protect its rescuer.

poster

?

5.5

/54/

65

/4/

Tanuma Kandayuu is a high class samurai of the house of Nabeshima. He finds a lavish board of Go (a Chinese Board game) at Kinbei's store. He recommend Kinbei to offer it to his lord. Kinbei hesitates at first, since he knows the board has a mysterious legend surrounding it; it's believed that for every game played on the board, one death is required.

poster

64

?

6.9

/119/

55

/5/

68

/8/

Masako, the daughter of an impoverished itinerant tinsmith, wins a grammar school composition contest with an essay about her neighborhood. The much publicized essay ends up causing the family problems and their chronic money troubles threaten Masako's further education.

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Original work by Hyakken Uchida.

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Two brothers move to their grandfather's house after their father is drafted and play war games with their new classmates.

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N/A

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