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poster

62

48

6.1

/3930/

61

/48/

63

/46/

3.2

/5544/

Tulay, a restless woman whose marriage is slowly disintegrating sets out to come to terms with various traumas while continually being watched by Halit, a resident in her apartment complex.

poster

73

45

7.7

/2393/

70

/28/

74

/27/

3.6

/2097/

In 1940's Turkey, the world in the eyes of a child.

poster

70

35

7.4

/2225/

67

/26/

72

/19/

3.5

/1223/

In the last years of the Ottoman Empire, a poor little Anatolian town named Saripinar is hit by a minor earthquake which has neither destroyed nor left it with many casualties. However, a telegraph sent to the central government exaggerates the situation and mentions that the governor of the town has been severely wounded, making the event a nationwide matter.

poster

56

8

6.2

/171/

51

/5/

45

/2/

3.3

/643/

Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.

poster

?

3.0

/64/

N/A

poster

?

5.4

/59/

Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.

poster

35

?

6.0

/280/

10

/1/

Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."

poster

41

?

6.3

/277/

27

/4/

35

/2/

A prostitute lays a rape charge against a politician and an unexpected friendship develops between her and the politician's wife.

poster

?

7.1

/35/

60

/1/

60

/2/

N/A

poster

78

?

5.7

/126/

100

/1/

N/A

poster

93

?

9.1

/1741/

90

/2/

100

/3/

Deniz goes to his hometown for his aunt Feraye's funeral. Nigar first offers her condolences to Deniz, then hands him her card and invites him to her home to discuss an important matter. Nigar wants to buy the land that Deniz inherited from his aunt, which includes a vineyard, a workshop, and olive groves. She makes a good offer. While Deniz is packing up her aunt's belongings at her aunt's house, she finds her aunt Feraye's diary.

poster

79

?

5.9

/315/

90

/1/

90

/1/

N/A

poster

68

?

6.5

/630/

65

/7/

78

/4/

3.3

/226/

A portrayal of three cancer patients' struggle to hold on to life and their friendship.

poster

53

?

6.8

/308/

43

/6/

48

/5/

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

?

N/A

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