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poster
71
18
7.3
/842/
63
/9/
77
/12/
3.6
/560/

People of the Mountains (1942)
A simple, religious Hungarian woodcutter lives with his wife and boy child with a small community of squatters among the peaceful mountains of Transylvania until a lumber company claims their land and forces them all to become company workers or else leave the land. This 1942 Hungarian film takes a detailed and unflinching look at the hardships of mountain living, and the realistic approach proved influential to the Neorealist movement in Italian cinema. Hungarian master director Istvan Szots won the Biennale Cup at the Venice Film Festival for his auspicious debut, but the film was banned by the Nazis as "too Catholic" and not publicly exhibited until after World War II.
poster
?
6.4
/14/

András (1941)
N/A
poster
?
5.9
/25/

Ragaszkodom a szerelemhez (1943)
N/A
poster
60
?
5.7
/152/
60
/1/
64
/10/

Sirius (1942)
Tibor Ákos, an intrepid and dreamy Hungarian count, embarks on an incredible adventure when he accepts the inconceivable challenge set by the eccentric Professor Sirius, who has invented a peculiar machine.
poster
68
?
7.1
/381/
65
/2/
68
/4/
3.4
/216/

Deadly Spring (1939)
The subject of this film is Dr. Ivan Egry, a young man, who becomes infatuated with Edit Ralben, the beautiful, but flirtatious, daughter of a prominent man. As the two get involved romantically, problems start to plague their relationship. When they end up separating, Ivan finds comfort with Josza, a pretty girl, much more stable than Edit, but far less glamorous. When Edit eventually re-enters Ivan’s life, he can’t resist her. Unable to resolve his conflicting emotions results in an abruptly tragic finale.
poster
?
7.1
/27/
80
/1/

At Last (1941)
Julia, a spoiled mistress always looks for trouble After running away from her own engagement, she must stay at the shelter of an engineer in the woods.
poster
?
6.9
/45/

Egy fiúnak a fele (1946)
A landowner Gáthy and his wife adopt an orphaned infant at the birth of their own son, only to realize too late that they can’t tell which baby is which. They raise both boys as their own until, on the brink of the sons’ marriages, questions of lineage brought up by prospective mothers and meddling mothers-in-law threaten to unravel their family.


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