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In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

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Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

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Tikinagan is a no-holds-barred account of the difficulties along the path to Native self-determination. Tikinagan is the Ojiubway word for cradleboard... the indigenous device in which babies are carried on a parent's back. Tikinagan is also the name of a revolutionary Native child-care agency operating out of Sioux Lookout, Ontario. Tikinagan workers know that the welfare of the children in their remote northwestern Ontario communities is in peril and needs special help. They still encounter the residue of bitterness and distrust left after years of conflict with provincial child welfare agencies. They have let their story be told in a film that is honest and uncompromising. Source: 1999 imagineNATIVE Catalogue

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