mdblist.com logo The Best Margaret Sullavan Movies. Go to The Best Shows


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poster
HBO Max Amazon Channel
87
8.0
/42651/
79
/1098/
81
/786/
4.2
/81015/
99
/96/
91
/809/
96
/15/

The Shop Around the Corner (1940)
Two employees at a gift shop can barely stand one another, without realising that they are falling in love through the post as each other's anonymous pen pal.
poster
81
73
7.7
/6651/
74
/135/
72
/89/
3.9
/5541/
100
/15/
85
/67/

The Mortal Storm (1940)
The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. After the Nazis come to power, the family is divided and Martin Breitner, a family friend, is caught up in the turmoil.
poster
77
51
7.5
/1766/
74
/33/
69
/32/
3.8
/1749/
88
/8/
84
/19/

The Good Fairy (1935)
In 1930s Budapest, naïve orphan Luisa Ginglebuscher becomes an usherette at the local movie house, determined to succeed in her first job by doing good deeds for others and maintaining her purity. Luisa's well-meaning lies get her caught between a lecherous businessman, Konrad, and a decent but confused doctor, Max Sporum. When Luisa convinces Konrad that she's married to Max, Konrad tries everything he can to get rid of the baffled doctor.
poster
74
47
7.1
/2300/
65
/21/
72
/33/
3.6
/1370/
100
/9/
67
/9/

Three Comrades (1938)
A love story centered on the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who is dying of tuberculosis.
poster
71
39
6.9
/1775/
74
/15/
67
/19/
3.5
/1047/
80
/77/

The Shopworn Angel (1938)
During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over.
poster
72
27
7.1
/705/
67
/8/
60
/12/
3.6
/807/
83
/6/
79
/5/

Little Man, What Now? (1934)
A young couple struggling against poverty must keep their marriage a secret in order for the husband to keep his job, as his boss doesn't like to hire married men.
poster
60
25
6.4
/1457/
68
/15/
66
/21/
3.3
/1118/
40
/9/

The Shining Hour (1938)
A nightclub dancer shakes the foundations of a wealthy farming family after she marries into it.
poster
67
19
7.0
/1347/
68
/15/
63
/13/
3.4
/500/

Cry 'Havoc' (1943)
The Army nurses on Bataan need help badly, but when it arrives, it sure isn't what they expected. A motley crew, including a Southern belle, a waitress, and a stripper, show up. Many conflicts arise among these women who are thrown together in what is a desperate and ultimately hopeless situation.
poster
61
18
6.6
/556/
65
/5/
62
/6/
50
/109/

No Sad Songs for Me (1950)
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every moment of her life count, but her effort is weakened by the discovery that Brad is interested in his assistant, Chris Radner. But when she learns that Brad does indeed love her and not Chris, and that Chris is leaving town, she realizes what she must do to ensure the future happiness of Brad and Polly. She persuades Chris to stay, makes a genuine friend of her and watches Polly grow towards Chris.
poster
61
7
6.6
/335/
70
/4/
66
/4/
3.4
/231/
33
/13/

The Moon's Our Home (1936)
A writer and an actress meet and marry without really knowing each other--they are even unaware that both bride and groom are equally famous. During the honeymoon, all hell breaks loose as a comedic war of the sexes leads inevitably to love.
poster
?
100
/1/

Joan Crawford's Home Movies (1942)
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.
poster
36
?
6.7
/168/
10
/1/
33
/3/

Hollywood: The Selznick Years (1961)
Henry Fonda hosts this retrospective on the career and films of iconic filmmaker David O. Selznick, who epitomized the era of the auteur producer in the 30s and 40s.
poster
61
?
6.3
/238/
60
/1/

So Red the Rose (1935)
During the American Civil War, Valette Bedford waits patiently for her husband Duncan Bedford, to return home, praying that she will not become a widow.
poster
66
?
6.7
/732/
61
/8/
72
/8/
3.3
/233/

Back Street (1941)
Previously filmed in 1932, and remade a third time in 1961, this second film version of Fannie Hurst's novel stars Margaret Sullavan as a fashion designer in love with a married banker (Charles Boyer). Directed by Robert Stevenson, the film also stars Richard Carlson, Tim Holt, Frank McHugh, Esther Dale and Cecil Cunningham.
poster
Hoopla
70
?
6.9
/859/
64
/9/
62
/10/
3.5
/243/
67
/6/
88
/5/

So Ends Our Night (1941)
An anti-Nazi refugee on the run and a young Jewish couple race across Europe trying to escape Hitler's ever powerful influence.
poster
64
?
6.4
/726/
65
/10/
64
/7/
3.3
/450/
83
/6/
42
/5/

Next Time We Love (1936)
A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.
poster
69
?
7.2
/466/
30
/11/
68
/5/
3.6
/342/
100
/44/
71
/1/

Only Yesterday (1933)
On the back of the Wall Street Crash of 1929, a young businessman is about to commit suicide. With a note to his wife scribbled down and a gun in his hand, he notices an envelope addressed to him on his desk. As he begins to read, we're taken back to World War One and his meeting with a young woman named Mary Lane.
poster
55
?
5.8
/197/
66
/3/
52
/4/

Appointment for Love (1941)
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.


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