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poster
70
18
6.8
/178/
72
/9/
70
/15/
3.5
/827/

Takano Tofu (2023)
Tatsuo and his daughter Haru run Takano Tofu Store in Onomichi. They begin their work before dawn every day. They carefully select beans to make their tofu. While they have peaceful days, Tatsuo worries about his daughter being alone after his death.
poster
65
15
6.0
/150/
78
/5/
65
/4/
3.0
/1543/

The Gun (2018)
An aimless college student comes upon the aftermath of a murder scene one night, and without thinking, grabs the titular weapon. He takes it home and keeps it safely hidden away, but curiosity gradually begins to consume him.
poster
68
14
6.5
/416/
61
/8/
77
/18/
70
/3/

64: Part 1 (2016)
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
poster
65
13
6.7
/539/
61
/14/
61
/22/
3.4
/331/
69
/1/

The Ravine of Goodbye (2013)
In a valley, with a dense growth of trees, a baby is killed. The baby's mother Satomi is arrested as the prime suspect. The police also learn that Satomi is involved in a romantic relationship with her next door neighbor Ozaki. The information was provided by the neighbor's lover Kanako.
poster
67
12
6.3
/340/
60
/5/
76
/16/
70
/3/

64: Part 2 (2016)
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
poster
?
63
/3/

Yaru Onna: She's a Killer (2018)
Aiko saw her parents murdered by the Yakuza when she was young. She grows up to become a killer to avenge her parents. her quest becomes more complicated when she learns her target is also and orphan and also has a blind daughter.
poster
?
5.8
/19/
70
/1/

Joker Game: Escape (2013)
Set several days after "Joker Game". 7 girls, who lost in a game, are gathered at a correctional institution. The girls must now participate in "Escape Game of Death". The 7 girls, who are locked in a room, have to find hidden clues and must cooperate with one another to escape. Because of a trap, the first victim comes out…
poster
?

Tales of the Bizarre: 2004 Spring Special (2004)
Hosted by veteran comedian Tamori, "Bizarre Tales 2004 Spring Special" presents five tales. 1. Koroshiya desu no yo (It's a Hitman, You Know) - starring Mizuki Alisa. 2. Jibun-counsellor (Self-counsellor) - starring Inohara Yoshihiko. 3. Be Silent - starring Watabe Atsuro. 4. Sasoimizu (Pump-priming) - starring Harada Taizo. 5. Saigo no Hitotoki (The Last Moment) - starring Nagasaku Hiromi.
poster
?

Emi-Abi (2016)
Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.


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