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The Best Mark Webber Movies. Go to The Best Shows

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poster

70

7.1

/1835/

70

/70/

72

/38/

3.7

/3227/

85

/34/

77

/20/

63

/13/

2.0

Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. In addition to performing, band members share their thoughts on fame, love, mortality — and car maintenance.

poster

?

45

/2/

Rockumentary following British rock band Pulp on their 1995 UK tour.

poster

?

9.2

/7/

20

/1/

Interviews of the cast and crew behind the scene of the music video 'This Is Hardcore' by Pulp

poster

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63

/13/

PULP found fame on the world stage in the 90’s with anthems like ‘Common People’ and ‘Disco 2000’. 25 years later, they return to Sheffield for their last UK concert. Giving a career best performance exclusive to the film, the band share their thoughts on fame, love, mortality & car maintenance.

poster

?

10

/1/

85

/2/

Take a trip down to Brixton Academy and totally immerse yourself in F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E; 1. Do You Remember The First Time 2. Monday Morning 3. Pencil Skirt 4. I Spy 5. Sorted For E's And Wizz 6. Something Changed 7. Live Bed Show 8. Acrylic Afternoons 9. Babies 10. Disco 2000 11. Mis-Shapes 12. F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E 13. Underwear 14. Common People

poster

?

8.2

/11/

20

/1/

93

/3/

Go down to Finsbury Park and witness the legendary "The Park Is Mine"; 1. The Fear 2. Do You Remember The First Time? 3. Dishes 4. Seductive Barry 5. Sorted For E's & Wizz 6. TV Movie 7. A Little Soul 8. Party Hard 9. Help The Aged 10. Sylvia 11. This Is Hardcore 12. Glory Days 13. Common People 14. Laughing Boy 15. Something Changed

poster

?

100

/2/

"Do you remember the first time?" asks the big screen on the main stage, just before Pulp arrive. Many up the front were but a twinkle when Sheffield's finest debuted Common People here, back on this day in 1994 – "Who was here?" questions Jarvis. "Who was born?" Not that it appears to dampen anyone's ardour – and who can blame them, because this is an imperious set, ranging from a perfect F.E.E.L.I.N.G C.A.L.L.E.D L.O.V.E to a glorious Misshapes, its line about "The future that they've got mapped out/ Is nothing left to shout about" sounding more contemporary than ever. Jarvis jumps from towering speaker cabinets, lies horizontal for some athletic hip-thrusting during a torrid This Is Hardcore, and dedicates Joyriders to "the rioters", quipping "they weren't rioting, they were just playing Grand Theft Auto outdoors". Honestly, it's hard to imagine how their reformation could have been handled any better.

poster

?

Documentary surrounding the 1998 edition of the festival.

poster

?

Pulp is the vehicle of geeky English auteur Jarvis Cocker, who formed the band with Sheffield schoolmates in 1978 at the age of 15, but didn't achieve success until the 90s. Before then they tried many different styles, and many different band-members, but with frustratingly similar results - widespread apathy. One exception was Radio 1 DJ John Peel, who granted Pulp a number of live radio sessions - again though, very little caught the public imagination. Eventually signing to Island in the early 90s, it was their major-label debut His 'n' Hers in 1994 that finally saw Pulp breaking into public consciousness. In Cocker they had an enigmatic singer and a sharp, witty lyricist: and new wave pop singles like "Lipgloss" and "Do You Remember The First Time?" were anthemic enough to break the UK charts. At the height of the Britpop craze, Pulp were at the forefront along with Suede, Oasis and Blur. Their follow-up album, 1995's Different Class, was an even bigger...

poster

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In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

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