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La Traviata is not only one of Giuseppe Verdi's best known works but ranks among the most popular operas of all times. Based on the novel and play La Dame aux camélias by Alexander Dumas (fils), the tragic story of the terminally ill courtesan Violetta who falls in love with the young gentleman Alfredo Germont has moved audiences to tears for more than 150 years. Live from the Arena di Verona, 2011

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Princess Aida has been kidnapped: a valuable prize in a war between Egypt and Ethiopia. The ambitious soldier Radames wrestles with his feelings for her. As they draw closer together, each must make a painful choice between their loyalty to home, and their love for each other. his new production of Rome combines the colossal and the intimate. For Michele Mariotti, conductor and music director of Teatro dell’Opera di Roma, Verdi’s genius lies in his managing to combine spectacular, triumphal elements with a love story that unfolds far from public space in delicate pianissimi and sotto voce singing.

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Torn between his duty and paternal love, the Venitian doge is forced to exile his son accused of murder. Hopes to prove his innocence run high when his son returns home, but don’t discount their intriguing enemies just yet. I due Foscari sets out in despair and ends tragically. Its music, full of dark hues, awe-inspiring choruses and individual themes for the main characters, already paves the way for Verdi's later scores.

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The love between Sita, the priestess of the temple of Indra, and an unknown stranger, who is actually Alim the King of Lahore, is hindered by Scindia who wants to take the throne and to marry Sita. When Scindia discovers the lover's true identity, he accuses him before the high priest Timour, who condemnsns him to go into battle against the muslims. In the battle Alim is defeated, and, seriouslyy wounded, returns to Lahore where he ides in the arms of his beloved Sita. Having g risen in to the Hindu paradise and been reincarnated aim turns to Lahore just in time to witness the usurper's splendid coronation and to reveal Scindia's crimes to the entire populace, In the last act the two lovers take refuge in the temple of Indra to escape from Scindia: Sita takes her own life with a dagger thus provoking Alim's death. The two lovers will be together in the hereafter.

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The dark world of Tchaikovsky’s penultimate operatic masterpiece Queen of Spades hinges on obsession, greed, and a secret in winning at cards… In 2005, the Opéra Bastille mounted a compelling production featuring Vladimir Galouzine as the mad lover Hermann, Hasmik Papian as the doomed Lisa, and Irina Bogatcheva as the mysterious Comtesse.

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