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poster
75
38
7.6
/1361/
73
/35/
70
/43/
4.1
/6692/
78
/2/

Reminiscences of a Journey to Lithuania (1972)
Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homecoming and a meditation on displacement, family, and the passage of time.
poster
50
8
8.3
/22/
40
/2/
54
/5/
Popcorn
25
/39/

Going Home (1972)
A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.
poster
?
10
/1/

Skyscraper (1965)
An Adolfas Mekas directed short parodying Italian art films of the time. It was created for use in a scene of the Broadway musical, "Skyscraper," starring Julie Harris and Peter Marshall, with a book by Peter Stone, music by Jimmy Van Heusen and lyrics by Sammy Cahn.
poster
?
10
/1/

A Matter of Baobab (1968)
International Cast of Actors: Jonas Mekas, from Lithuania, poet and film-maker; Louis Brigante, from Madagascar, poet and publisher; Storm De Hirsch, from Holland, poetess, seer and film-maker; Pola Chapelle, from Tierra del Fuego, singer and motel operator; Adolfas Mekas, from Lapland, basket weaver and film director; Contessa Angela Maria Andrecci di Castiglione, from Italy, opera singer.
poster
?
10
/1/

Windflowers (1968)
Arthouse portraiture of a disestablishmentarian during his six-year draft dodge.
poster
72
?
7.8
/87/
56
/3/
82
/9/
3.7
/355/

He Stands in a Desert Counting the Seconds of His Life (1986)
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
poster
?
100
/1/

365 Day Project (2007)
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.


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