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poster
?
20
/1/

Faultlines (1998)
“In a tapestry of migratory luck, artifacts and shells, a mixed choir of images and sounds engages the paradox of a journey that loses all meaning once it reaches its end. The film’s westward inclination to the American shores of the Pacific, bound in a pitiless growth and decay, drives a dense montage, woven with guns and prayers.” - Gary Popovich
poster
?
6.2
/10/
10
/1/

Valentine's Day (1994)
In the near future, Canada is at war with Quebec, battles are determined by television ratings, and weapons are sponsored by McDonald's and IBM. In the midst of social chaos, a lesbian couple, Barb and Alex, dress themselves in protective masks, gowns and rubber boots to spend a quiet afternoon at the zoo. Barb is gang-raped by soldiers while taking a short cut through a restrictive zone. Fearful of infection, Alex begs her to take an AIDS test. With a world imploding around them, Barb decides to announce her result as the punchline of a comic routine. At first, Alex can't see the joke, but she eventually joins in and engineers an attempt to make love without touching.
poster
?
7.1
/70/
60
/1/
60
/2/

Imitations of Life (2003)
Imitations of life consist of ten chapters, each one of which has an individual intonation and cinematographic style. The chapters: In the Future, Jack, Last Thoughts, Portrait, Secret, In My Car, The Game, Scaling, Imitation of Life, and Rain.
poster
?
7.0
/14/
20
/1/

Panic Bodies (1998)
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)


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