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poster

48

12

4.0

/1067/

46

/20/

46

/12/

3.0

/512/

Soula Sarimbuyuki is 30 years old, independent, and against marriage. She grew up with her three aunts, who are originally from the city and love spicy food. Today is her birthday and birthdays are a very dangerous day! Like New Year's! You have to make decisions. She has just received four marriage proposals and decides to get married! Her three aunts are impressed, her two best friends run to help and the four prospective grooms arrive on the island to choose the right one. The test begins and the situation becomes complicated. While the winner is ready to "pay" the bride, Soula decides that a wedding is not a game show.

poster

60

?

6.8

/406/

60

/7/

53

/11/

Captain Michos Floros returns to Samarina to gather more men and lead them to Messolonghi, joining General Makris's existing forces. Thus, with the help of his friend Elias Manakas and 25 other men, they set off on a long journey to meet Zisis Hatzimati and the rest of their compatriots in Messolonghi. On March 31, 1826, they began their difficult journey through the mountains. At the same time, the women in the village tried to learn from Eleni Florou the real reason for their men's sudden departure. Ibrahim Pasha and the Turkish commander of Arta, Nihat Servan, prepare their final attack on Messolonghi.

poster

64

?

7.2

/380/

58

/7/

60

/3/

After Elizabeth and Nikiforos lose their beloved family—Achilles, Natalia, and little Elizabeth—to a permanent move to the United States, Nikiforos’ desperate attempt to stop them lands him under six months of house arrest. Frustrated by their wives’ restrictions and their own mid-life crises—Mimi’s heart condition, Pavlos and Maria’s new parenthood, and Eirini’s turn to monasticism—the trio of men make up a plan: they take over their favorite tavern, hold their (ex-)wives hostage, and throw one epic, liberating feast.

poster

?

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

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