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poster
?
6.0
/11/

The Inmate (1997)
The splendor of a mountain lake is clouded by the musings of a brain in memory mode. The head relives the heartbreak of suburbia and the vacancies that fill every motel on the edge of nowhere. The body moves through a rainbow palette of indelible stains that color the journey with the hues of heaven and hell.
poster
53
?
6.6
/72/
37
/5/
40
/5/
3.5
/224/

Ascension of the Demonoids (1985)
George Kuchar received his only funding grant for this film ($20,000 from the NEA), and so, freed from the usual financial restraints, he was determined to have a good time and make a “spectacle” with “tons of color” and dazzling superimpositions. A big, colorful tapestry about rumors that are in all of the previous UFO movies. A loose story line that weaves in and out of the UFO phenomenon.
poster
?
10
/1/

Xmas 1986 (1986)
"In Xmas 1986, George Kuchar’s mother Stella has come to stay with him for the holidays. After a series of dinners with friends, Stella’s repeated discussions about her shingles and Kuchar’s ominous film-noirish narration, Kuchar rescues the morale of a dinner party gone bad thanks to an undercooked ham by presenting his hosts with a very memorable holiday gift." – Kyle Riley
poster
?

Fill Thy Crack with Whiteness (1989)
A music-filled tour of Christmas good cheer overtakes this gastronomically oriented excursion through the winter season of discontent and yuletime yearnings craving ignition.


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