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poster
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6.5
/16/

The Rebel (1940)
An allegory of contemporary political attitudes presented in terms of differing approaches to the institutionalisation of sexuality: marriage. There are three college friends: the liberal Vijay the conservative Loknath and Jagdish, a careerist. Vijay rescues a damsel in distress and marries her. Later, his son Anand repeats his father's history by rescuing Jagdish's daughter from a bandit and marrying her, resolving the differences between the three friends.
poster
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6.7
/52/
60
/3/
50
/1/

Aurat (1940)
Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.
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Shankar Parvati (1943)
A dance-based mythological featuring Shankar (Arun), the triad in the Hindu pantheon (sometimes equated with Dionysus), who dances the Tandava, the dance of destruction, when his wife Sati kills herself after she is humiliated by her father. He then retires into meditation from which he has to be awoken to rid the world of the demon Tarakasura. The seductive powers of Sati, reborn as Parvati (Bose), liven up Shankar but she has to pay for this by doing extensive penance, after which she can be accepted again by her husband as a real wife, partly through the divine intervention of Vishnu.
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Bhartrahari (1944)
A mythological and devotional drama based on the life of Bhartrhari, a legendary king who renounced his throne and worldly life to become an ascetic and poet, known for his philosophical and moral verses. The film explored themes of renunciation, spiritual enlightenment, and the transient nature of worldly pleasures.
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Bhanwara (1944)
Two friends, a singer and a wrestler-in-training, fall for two sisters while navigating job hunts and comical living arrangements in the city.


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