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poster

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7.6

/15/

Jail Yatra is an Indian Hindi-language drama film released in 1947. It was directed by Gajanan Jagirdar.

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59

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5.2

/174/

67

/4/

Tatya Vinchu comes back to life after 20 years, and now wants to migrate into the body of Lakshya's son.

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An early romantic comedy staring Meena Shorey and Harish

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Mehboob presents the autonomous passion of Leela (Rose) for Moti (Motilal) who is promised to another woman, Bina (Maya). Leela is portrayed as irresponsible and impulsive as she acknowledges her desire for Moti and has a child by him. Bina then releases Moti from his promise. Moti suffers when he is told by Bina’s father (Sankantha) that she is dead, while Leela’s father (Pande) enjoins his daughter to commit suicide if Moti does not marry her. In spite of the film’s endorsement of ‘traditional’, lethally oppressive patriarchal mores, incarnated by the women’s fathers, Mehboob’s narrative at least dares to depict a woman who refuses to feel guilty about her desire.

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Radha is deeply devoted to Lord Gopal and spends her days in worship and spiritual pursuit. Her beauty and piety attract the attention of the Jagirdar, a powerful and wealthy man, who desires to marry her. However, Rasha is uninterested in worldly attachments and seeks only spiritual fulfillment.

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A mythological historical drama with themes of divine love, destiny, reincarnation, and intricate narratives involving celestial beings and human emotions across lifetimes

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A great drama of life & humanity that's exploring profound human experiences and societal themes

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A rich, fatherless young man named Vijay faces betrayal when his greedy brother-in-law, Kampta Prasad, plots to seize his inheritance. Led astray by city life and losing his fortune, Vijay's struggles are silently supported by his devoted sister. But when Kampta Prasad sets his sights on Vijay's childhood sweetheart, Dulari, a vengeful Vijay returns, ultimately becoming a brilliant eye specialist who holds Kampta Prasad's fate in his hands. It's a gripping melodrama of deception, resilience, and poetic justice.

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A neglected wife, Indira, schemes to win back her philandering bank manager husband, Bihari. She uses an unwitting musician, Madan, as a pawn, making him fall for her until her husband's jealousy is ignited. Once Bihari returns, Madan is quickly married off to the daughter of a poor clerk, Mohan, to neatly tie up the loose ends.

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Prakash returns home to his wife Rajni after completing his studies, but his sister-in-law Bijli spreads false stories to turn him against her and pushes her niece Sudha toward him. Sudha uncovers Bijli’s scheme, clears Rajni’s name, and restores peace to the marriage.

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