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poster

66

39

6.9

/1015/

67

/108/

64

/27/

3.4

/5070/

The disappearance of his wife leaves Fernando, a quiet geography teacher, completely devastated. Aimless, he assumes another man’s identity as a gardener on a Portuguese estate, where he forms an unexpected friendship with the owner, stepping into a new life that isn’t his own.

poster

71

36

6.7

/317/

61

/11/

78

/9/

3.6

/3152/

80

/5/

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

poster

67

15

7.0

/332/

62

/14/

68

/14/

3.5

/489/

Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.

poster

66

13

6.8

/345/

66

/6/

63

/9/

3.4

/693/

October 2019, Great Yarmouth, Norfolk (UK). Three months before Brexit. Hundreds of Portuguese migrant workers pour into town, seeking work at the local turkey factories. Tânia (The Mother of the Portuguese), a former worker in these poultry plants, is now married to an English hotel owner. She is the perfect facilitator for the Portuguese workers, but dreams of becoming a British citizen and leaving this dirty business behind by transforming her husband’s derelict hotels into refurbished senior citizens homes.

poster

?

7.2

/53/

60

/1/

59

/5/

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

poster

?

6.9

/21/

80

/1/

A reorganization within a crime syndicate.

poster

?

5.5

/50/

40

/2/

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

poster

?

6.5

/36/

90

/1/

In a terrifying Portuguese village, there is a legend - the legend of the wolf child. Desired and born on a full moon night, it all started when a young peasant girl, desperate for a child, asked a creature of the forest for a wish. The desire? A child she could call hers. But the forest creature curses the woman. When fully grown, the child will bring teeth and blood to the village. Years pass, the child becomes a man, tormented and persecuted by the villagers, torn between his animalistic nature and a friendship with a young witch. The boy has to discover who, or what, he is. Together, the wolf child and the witch will try to break the curse and find their place in the world. 16 years after "Coisa Ruim", Frederico Serra returns to the legends and traditions of deep Portugal.

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poster

?

Child refugee David befriends Simón on a boat travelling to a no-man’s land. Upon their arrival, Simón meets Inés and the three flee to a new city where David is enrolled in a dance academy and develops mysterious abilities.

poster

?

N/A

poster

?

6.9

/12/

50

/1/

A family with a long history (and many members) gathers around a table in a mansion in southern Portugal. The region has transformed from a depressed area into a thriving tourist destination. Kisses, hugs, and greetings quickly turn into complaints and reproaches surrounding the big issue: What should be done with Daddy’s house? It is a tempting piece of cake, laden with rich family memories. But progress cannot be stopped.

poster

?

A contemporary reinterpretation of the tradition of pilgrimages in the Azores, historically carried out exclusively by men. In the film, a group of women make a pilgrimage to the island of Pico; along the way, one of them disappears, raising questions about their individual and collective existence as female bodies. These are bodies that literally walk to break the bubble of passivity, guided by action, ritual and resistance.

poster

?

Tiago Guedes returns to Dennis Kelly, the British playwright with whom he has already enjoyed success in his dizzying descent into the depths of human complexity. After Órfãos, the director and stage director now tackles The Ritual Slaughter of Gorge Mastromas, a 2013 text about the banality of evil in the person of the man that Kelly's play scrutinizes in retrospect: "Existence is not what you thought it was until now. It is not honest, it is not kind, it is not fair. Most of the world has no idea about this; they believe in God, or Daddy, or Marx, or the invisible hand of the market, or honesty, or kindness. They go through life with their eyes closed, getting beaten up and screwed over. He's like that. You're like that. But a tiny part of us, let's call ourselves the resistance, knows the true nature of life. The world is ours for the taking. We are powerful and rich and have everything, because we will do whatever it takes.

poster

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Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.

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