mdblist.com logo The Best Simon(è) Jaikiriuma Paetau Movies. Go to The Best Shows


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poster
Kanopy
65
5.4
/608/
51
/40/
48
/8/
3.2
/3628/
92
/25/
67
/4/
76
/7/

Piaffe (2023)
When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create sounds for a commercial featuring a horse, and then a horsetail starts growing out of her body. Empowered by her tail, she lures a botanist into an affair, through a game of submission. Piaffe is a visceral journey into control, gender, and artifice.
poster
?
60
/1/

Octavia's Visions (2021)
Inspired by the Parables of the African-American futurist author Octavia E. Butler, the film interweaves her worlds with contemporary issues of environmental degradation, far right extremism, and social liberation. The poetic piece expresses a queer utopian imaginary, a longing to create out of the old something new.
poster
?
5.6
/51/
65
/2/
10
/2/

The Whisper of the Jaguar (2018)
An artist penetrates him/herself with a cob of transgenic corn in the middle of a field, unawares that death is near. His/her sister Ana, who has been following him/her with his/her ashes, embarks on a journey into the Amazon forest that will become a quest as spiritual as it is erotic.
poster
?
6.2
/15/
60
/1/

Passage (2020)
A foley artist creates sounds for a film starring a dressage horse, with a thrilling performance from queer artist and performer Simon(e) Jaikiriuma Paetau.
poster
?

Cruising in High Heels (2015)
A film about two apocalyptic sissies between Bogota, Berlin and Cartagena. One is a dancer, the other a Filmmaker. What starts as a documentary about a dancer, transforms slowly into a performance for film. The performances they create play with the in-between, male female, and the appropriation of spaces and expectations projected onto them.
poster
?

Mourning Stage (2022)
A series of drawings are used as a score for ating. These images portrait different representations of the devil in hell. Among these devils, there are feminized characteres suggesting sexual perversions typified in the Catholic imagination. Performer Paeatau interprets and reacts to these drawings using her body and her facial expressions in a ritualistic performance in which the body, fetichized and colonized by morale, laments.


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