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8.0

/31/

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5.9

/16/

N/A

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6.3

/8/

40

/1/

Studio P.C.L. was specifically founded to make sound films, and this early musical balances the aesthetics of the sound film with those of the stage revue. The king of Tokyo’s revue stage, comedian Ken’ichi Enomoto (Enoken) had made his name in the capital’s theatrical district of Asakusa. The film employed not only the star, but his entire theatrical troupe, and the narrative was structured around scenes which Enoken had played successfully on stage. Billed as offering 'Japan’s number one comedy actor and Japan’s number one musical comedy,' the film self-consciously borrowed from Hollywood musical comedy; indeed, the original posters carried spoof endorsements by Eddie Cantor and the Marx Brothers! Director Kajiro Yamamoto, making his P.C.L. debut, would become a stalwart of the company and its successor, Toho. He was to have a profound influence on Japanese film history as mentor to Akira Kurosawa, who assisted him on a number of films including Horse (Uma, 1941).

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5.8

/6/

An irreverent take on a medieval Noh drama, Hokaibo sees Enoken play the titular monk whose lusts drive him to murder.

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5.9

/9/

Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.

poster

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6.6

/15/

The story picks up from Part 1 as Enoken's young scion forsakes his wealth and takes a department store job – in drag and sometimes blackface – to prove to the girl of his dreams that he be a hard-working, serious man.

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7.2

/21/

Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.

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Enoken no wanwan taishô AKA Wanwan Taisho AKA Bowwow General directed by Nobuo Nakagawa

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A typically modern take on the well-known Naniwabushi character (and real life 19th-century gangster) Mori no Ishimatsu, whose proverbial stupidity Enoken takes to farcical extremes.

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Two hyper-competitive salarymen let their workplace rivalry spill over into their private lives, as both men try to one-up each other on a luxurious beach vacation neither's family can afford.

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Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.

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