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poster
61
17
5.6
/390/
63
/20/
59
/30/
3.3
/232/

Le Cri du cormoran, le soir au-dessus des jonques (1971)
Alfred Mullanet, an unlucky player who lives on his wife's income, becomes in a few moments the object of interest of two thugs, Kruger and Mister K.
poster
60
12
5.8
/350/
64
/7/
52
/20/
3.3
/306/

At the Meeting with Joyous Death (1973)
The premise deals with a family living in a country-house which turns out to be 'alive' – to the point where a TV crew is brought in to 'capture' the paranormal phenomena
poster
?
10
/1/

La bande à Bobo (1963)
In Castallet, a village in Provence, cats are swarming and disturbing the peace and quiet of the inhabitants. The municipality decides to get rid of these invasive felines, but a group of children nicknamed "la bande à Bobo" (Bobo's gang) comes to their defense.
poster
?
10
/1/

Quatrevingt-treize (1962)
N/A
poster
?
7.5
/15/
10
/1/
40
/1/

Clock Head (1970)
One night in Paris all the clocks and watches of the whole world stopped except that of a small professor.
poster
?
5.4
/18/
10
/1/

A Choice of Killers (1967)
Since the car accident that caused the death of his wife, the comics author Stéphane Destouches sinks into alcohol and wanders the roads of Morocco.
poster
45
?
7.1
/196/
10
/1/
56
/8/

Anatomy of a Marriage: My Days with Jean-Marc (1964)
The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.
poster
45
?
7.1
/237/
25
/2/
56
/8/

Anatomy of a Marriage: My Days with Françoise (1964)
The story of the couple from the very first meeting to break up told from a view of a woman, Francoise. The film shares the same plot with "Jean-Marc ou La vie conjugale", that tells the same story from another perspective.
poster
42
?
6.6
/189/
10
/1/
52
/8/

Zita (1968)
Because "Tante Zita" main theme is death: a twenty-year old girl, Annie (Shimkus) lives with her mother and her aunt (both played by first-class actresses Suzanne Flon and Katina Paxinou). The auntie is dying, and for the first time in her life, Annie has to cope with death. One night, she finds it too hard to bear, and leaving home where the old woman is suffering, she begins to hang around in Paris. She will meet people, and, from dusk to dawn, she will learn to leave her childhood behind and to grow into a woman.


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