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poster
Criterion Channel
83
81
7.8
/12152/
78
/350/
77
/303/
4.2
/54895/
94
/16/
87
/177/
87
/9/

Good Morning (1959)
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
poster
Criterion Channel
84
75
7.9
/6631/
77
/138/
77
/170/
4.1
/11604/
100
/16/
87
/46/

Late Autumn (1960)
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
poster
Criterion Channel
81
68
7.6
/4217/
74
/77/
76
/97/
4.0
/10299/
93
/15/
89
/30/

The Flavor of Green Tea Over Rice (1952)
The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.
poster
?
10
/1/

Sono yoru no tsuma (1952)
Hiroo Ikeda movie
poster
?
10
/1/

Kyōshū (1952)
N/A
poster
?
6.5
/20/
10
/1/

The Big Wave (1961)
Yukio, a farm boy, and Toru, a fisherboy, live in a small Japanese village that is periodically threatened by a volcano on one side and tidal waves on the other. Yukio's younger sister Setsu follows then and dreams of becoming a pearl diver. Toru is preparing to go fishing with his father when a bell tolls and a danger flag is hung high on the hill behind the village to warn of an impending tidal wave by the village patriarch, known as Old Gentleman.
poster
?
36
/3/
50
/3/

The Waves (1952)
Before a young woman can be sold to a geisha, she becomes pregnant.
poster
?
6.6
/23/
40
/2/
70
/1/

Eyes of Children (1956)
A man is found dead of an apparent suicide but there is speculation that he was murdered. An investigation reveals that he and his wife were at odds over the treatment of his daughter, with accusations that he abused the little girl. A sensational trial ensues in which the lawyer becomes a defendant, and secrets from childhood fester even into adulthood.
poster
?
7.2
/24/
10
/1/

Our Chief, Our Doctor (1952)
It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.
poster
61
?
7.0
/131/
53
/3/
61
/6/

Yellow Crow (1957)
Ichiro Yoshida, the father of the boy Kiyoshi, who has been repatriated from China, returns home after a ten-year separation. The father, who has been estranged from his son for many years, pays no attention to the boy, often punishes him unfairly, and gives all his tenderness to his little daughter, who was born after his return. The boy sees all the injustice of his father and, offended, leaves home. The father realized that he was wrong, that he was guilty before his son. The mother finds the boy and brings him home. The father and the son become friends from that day on.
poster
?

Ohana han: Dai ni bu (1966)
A sequel to Ohana han.
poster
?

Subarashiki shōtai (1955)
1955 Japanese movie


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