mdblist.com logo The Best Tatsuo Saitō Movies. Go to The Best Shows


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poster
Criterion Channel
83
76
7.8
/6664/
74
/108/
75
/142/
4.0
/13526/
100
/27/
89
/57/
91
/4/

I Was Born, But... (1932)
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
poster
Criterion Channel
75
51
7.4
/1404/
71
/19/
70
/31/
3.8
/2691/
89
/86/

The Munekata Sisters (1950)
Setsuko is unhappily married to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko tries to reunite them. She too is secretly in love with Hiroshi.
poster
Criterion Channel
70
51
7.1
/1684/
61
/23/
67
/43/
3.6
/2249/
82
/459/

Tokyo Chorus (1931)
In Depression-era Tokyo, a young man struggles to provide for his family after he is fired from his job.
poster
63
51
6.7
/4529/
66
/64/
68
/81/
3.3
/1255/
57
/14/
56
/55/

Lord Jim (1965)
After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.
poster
Criterion Channel
73
44
7.2
/1561/
70
/14/
68
/31/
3.6
/1951/
85
/25/

Brothers and Sisters of the Toda Family (1941)
After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.
poster
Criterion Channel
69
39
6.9
/831/
66
/17/
61
/19/
3.8
/2056/
71
/104/

Japanese Girls at the Harbor (1933)
Set in the port city of Yokohama, two girls, Sunako and Dora who attend a Christian school, pledge to be friends. But when a youth named Henry appears on his motorcycle and offers to take Sunako for a ride, we know that this friendship won't last and that the lives of both girls will change in ways they are barely able to comprehend, and can do little to change.
poster
Criterion Channel
67
36
7.0
/740/
58
/8/
65
/21/
3.5
/1225/
80
/128/

Where Now Are the Dreams of Youth? (1932)
When a young man inherits his father's lucrative business, he cheats the system to set up three of his college friends with jobs.
poster
Criterion Channel
70
35
7.1
/903/
67
/24/
67
/21/
3.9
/2616/

Ornamental Hairpin (1941)
A Japanese mountain inn patron's foot is cut by an ornamental hairpin accidentally left behind by a former patron, leading to much curiosity among the other patrons regarding her identity.
poster
Criterion Channel
71
34
7.0
/1434/
65
/24/
63
/33/
3.5
/2428/
87
/5/

What Did the Lady Forget? (1937)
A professor, Komiya, and his bossy wife, Tokiko, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.
poster
Criterion Channel
66
32
6.4
/562/
46
/3/
58
/10/
3.2
/1028/
100
/54/

The Lady and the Beard (1931)
Graduate Okajima finds his old-fashioned beard makes life difficult in a comedy exploring the tension between tradition and modernity.
poster
64
31
6.5
/1704/
64
/22/
67
/20/
3.2
/428/
62
/453/

My Geisha (1962)
Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...
poster
Criterion Channel
71
30
7.1
/714/
67
/12/
72
/19/
3.8
/1595/

Every-Night Dreams (1933)
In Depression-era Tokyo, the life of a single mother and her young son are disrupted by the return of her ex-husband, who fathered the child and walked out on her years earlier.
poster
Criterion Channel
61
29
6.2
/742/
61
/15/
57
/29/
3.2
/1819/

A Straightforward Boy (1929)
A kidnapped boy proves to be more than his abductor can handle.
poster
Criterion Channel
67
28
6.9
/1077/
64
/16/
65
/24/
3.5
/2306/
70
/2/

That Night's Wife (1930)
In Depression-era Japan, a man commits a robbery to save his critically ill daughter and escapes with the funds, but complications arise.
poster
58
22
6.3
/667/
51
/8/
55
/21/
3.3
/1170/

Days of Youth (1929)
Students Watanabe and Yamamoto unknowingly compete for the same girl.
poster
Criterion Channel
60
21
6.3
/640/
54
/10/
58
/14/
3.2
/1463/

I Flunked, But... (1930)
This bittersweet comedy tells the tale of a group of college roommates attempting to cheat their way through their exams. As the title goes, things don't work out for our roguish main character, but his classmates soon find themselves in a similarly sorry state...
poster
Criterion Channel
54
9
6.2
/246/
30
/2/
51
/13/
3.4
/313/

Carmen's Innocent Love (1952)
Strip dancer Carmen falls in love with Hajime, who is engaged to the daughter of a right-wing politician.
poster
?
10
/1/

Morishige, where are you going? (1956)
A man who seemed to have found happiness with a wife and child loses his wife and his daughter gets married... A man's life, full of joy and sorrow, is vividly depicted to the tune of "Moonlit Desert" in this humanistic drama full of pathos, starring Hisaya Morishige.
poster
?
10
/1/

The Paths of Two Maidens (1952)
Melodrama about two sisters with different mothers.
poster
?
7.6
/8/
10
/1/
58
/2/

Three Gentlemen Return from Hong Kong (1962)
1962 Japanese movie
poster
?
10
/1/

The Emperor's Hat (1950)
A man working in a museum steals the Emperor's hat on display.
poster
?
5.8
/14/
10
/1/
60
/1/

A Ripple in a Morning (1952)
Atsuko is an office secretary who is also her family's primary source of income and caretaker in postwar Japan.
poster
?
6.2
/16/

Men vs. Women (1936)
A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.
poster
?
10
/1/

G-men of Japan 2: Bloody Duel at Shipwreck Cape (1950)
The second part of an action-packed action movie about the struggle between smugglers, the Japanese Coast Guard and G-men. Having caught a suspicious radio signal, the coast Guard discovers that a smuggling transaction is taking place and goes to the place. It was supposed to be a big catch, but they lose sight of the smugglers by finding and rescuing a woman drowning in the sea. The rescued woman says she jumped into the sea while escaping from a slaver's boat... A luxury version featuring the two main stars of the Toei company – Chiezo Kataoka and Utaemon Ichikawa.
poster
?
10
/1/

Next Door to Happiness (1955)
The Nakata family, father, mother, son Hideo, and daughters Taeko and Akiko live in the poorer section of modern Tokyo. Their troubles start when the father leaves with another woman, returns after he is rejected, and leaves again with the family's money.
poster
?
5.4
/9/
10
/1/

Maria of the Ant Village (1958)
Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.
poster
?
6.8
/5/
45
/1/

The Flower is not False (1941)
Hana wa itsuwarazu (1941) is the second directorial work by Shochiku's Oba Hideo. Oba had previously worked as an assistant director to Shimizu Hiroshi and penned films for Shimazu Yasujiro. In this early effort, he is not stylistically very far from either, but then again all Shochiku directors resemble each other to a point. The film is an everyday romance for younger audiences, full of clean, ideal human beings.
poster
?
80
/1/

Women at War (1939)
Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.
poster
?
7.5
/10/

Love, Be with Humanity: Part 2 (1931)
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
poster
?
6.3
/36/
70
/1/
60
/1/

Don't Tell Your Wife About It (1937)
A Japanese screwball comedy about the battle between the sexes: two timid men, egged on by their wives, end up in a bitter duel over an expensive lace handkerchief.
poster
?
7.0
/88/
67
/3/

Okoto and Sasuke (1935)
A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.
poster
?
7.2
/32/

Chûshingura - Zempen: Akahokyô no maki (1932)
N/A
poster
?
7.9
/19/
10
/1/

Nippon no obaachan (1962)
Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.
poster
?
10
/1/

Farewell to Spring (1952)
Bittersweet shomin-geki drama by Keigo Kimura
poster
?
10
/1/

Three Weeks of Love (1965)
Hong Kong-set religious drama.
poster
?
6.8
/47/
40
/3/

Warm Current (1939)
Adaptation of Kishida Kunio's novel. Set against the backdrop of a power struggle within a hospital, depicts the love lives of the director's daughter, the administrative director, a doctor, and a nurse.
poster
?
10
/1/

Mother's Ambition (1955)
The Kumakichi Ishida family lived happily in a small house in Shibuya while their mansion in Azabu was requisitioned by the occupation forces. When the residence is released to them, Mrs. Ishida wants to turn it into a Western style hotel to recoup their fortunes, but returns to Shibuya, swindled and sober.
poster
?
6.5
/22/
40
/2/
70
/1/

Wedding Day (1956)
Shinsaku was once a renowned playwright, has now been left behind by journalism and is living a lethargic life in Oiso. His family is concerned with Shinsaku regaining his old vigor as a writer and Sakie, his daughter, finding a suitable match, while the family is struggling with the losses of war.
poster
?
50
/1/

Lovers' Duet (1939)
Melodrama about a talented singer who finally makes her debut
poster
?
6.6
/12/
10
/1/
72
/2/

Shisha to no kekkon (1960)
A case of mistaken identity in which a woman assumes the role of widow to a man killed in a train accident.
poster
?
6.6
/9/

Dancing with a Mask (1943)
Japanese propaganda film about the Normanton Incident.
poster
?
6.2
/27/
60
/1/

The Groom Talks in His Sleep (1935)
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
poster
?
6.7
/9/

Mother and Child (1938)
The movie follows a young woman (Kinuyo Tanaka), a daughter of a high-ranking businessman and his neglected mistress, as she struggles to ease her mother's loneliness, while also having an affair with her father's subordinate.
poster
?
5.4
/71/
52
/4/

Victory Song (1945)
Hisshoka is a 1945 Drama film directed by four Japanese directors.
poster
52
?
6.0
/310/
40
/3/
58
/2/

Joe Butterfly (1957)
The staff of "Yank" magazine are among the first American troops into Tokyo after the Japanese surrender. Their mission: produce an issue of the magazine...in three days. To accomplish the seeming impossible, they reluctantly enlist the aid of black marketeer and arch-conniver Joe Butterfly, who sets them up in a palatial private mansion, complete with lovely daughter -- strictly against regulations. How much trouble can our heroes talk their way out of?
poster
45
?
5.3
/161/
40
/4/
45
/6/

Tokyo File 212 (1951)
A Communist spy ring in Japan is hard at work trying to sabotage the American war effort during the Korean War, using kidnapping, murder and a disturbed former kamikaze pilot. A U.S. secret agent, posing as a reporter, is dispatched to Tokyo to put a stop to these nefarious activities.
poster
?
7.1
/76/
70
/1/

The Trio's Engagements (1937)
Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.
poster
?
10
/1/

Divorce (1952)
No overview.


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