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poster
61
9
6.0
/259/
56
/9/
59
/12/
3.4
/259/

Dream City (1973)
A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.
poster
?
7.0
/8/
10
/1/

Die widerrechtliche Ausübung der Astronomie (1967)
Max Ernst on amateur astronomer Ernst Wilhelm Leberecht Tempel.
poster
?
8.2
/14/
10
/1/

Die Nashörner (1961)
N/A
poster
?
7.6
/14/
10
/1/

Die Reise (1965)
N/A
poster
?
5.0
/14/
10
/1/
60
/2/

Wenn ich mich fürchte (1984)
N/A
poster
?
6.9
/50/
47
/4/

Jaider, the Lonely Hunter (1971)
When Jaider has to illegally poach in order to feed the citizens of a poor Alpine town, he gets into a blood-soaked conflict with the German authorities.
poster
?
7.6
/19/
55
/2/

Im Reservat (1973)
A gay man lives with a lonely old lady in a demolished house in Berlin. One day the old lady's daughter stands in front of the door and wants to bring her mother home.
poster
?
8.0
/15/
10
/1/

Zwischen den Zügen (1961)
N/A
poster
?
8.1
/17/
10
/1/

Unsere kleine Stadt (1961)
N/A
poster
?
7.6
/102/
40
/2/
35
/2/

Weights and Measures (1973)
Tells of the tribulations of a middle-aged official of the Austro-Hungarian Bureau of Weights and Measures in fighting the local shopkeepers and traders whose weights are frequently light.
poster
45
?
4.7
/127/
44
/9/
42
/8/

Bali (1970)
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
poster
54
?
6.3
/440/
53
/9/
52
/6/

First Love (1970)
The story of two young lovers takes a tragic turn as the girl falls in love with the boy's father.
poster
?
7.2
/54/
50
/3/

Alle Jahre wieder (1967)
A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.


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