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The Best Joris Ivens Movies. Go to The Best Shows

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poster

68

30

6.7

/1041/

61

/22/

63

/31/

3.8

/1514/

72

/6/

It is an autobiographical fiction starring Ivens as an old man who has spent his life trying to "tame the wind and harness the sea" by capturing them on film.

poster

67

12

7.0

/279/

63

/8/

68

/15/

3.5

/246/

The film is a documentary portraying a struggle as man tries to subdue nature. To prevent flooding and for purposes of land reclamation, the people of the Netherlands struggle and succeed in building a breaker, thereby eliminating the wild inland body of water once known as the Zuider Zee (now called Ijsselmeer).

poster

?

6.9

/15/

N/A

?

6.6

/10/

10

/1/

Three pioneers of documentary filmmaking – Joris Ivens, Henri Storck, and the man behind the camera, Jean Rouch – recall the early days of the documentary genre and speak about their creative methods and sources of inspiration. This lively discussion between the directors is shot in cinéma vérité style and spliced with footage from their older films.

poster

?

10

/1/

Documentary portrait of Dziga Vertov, father of documentary cinema.

poster

?

5.4

/34/

36

/3/

50

/1/

Lili lives near the port of Le Havre. She is mourning her lover Pablo, who died leaving unfinished a video game he was developing for a Japanese trust. A young boy decides to take over the project, while Lili, guided by a mysterious figure called Doctor Digitalis, struggles with her grief and searches for meaning in his absence. The film blends reality and dreamlike visions against the backdrop of the docks and port landscapes.

poster

53

?

5.1

/221/

60

/1/

49

/14/

At the age of 14 Joris Ivens was fond of Cowboys and Indians stories, so he decided to invent one himself. He made a script and used a camera from his father's shop. This became his first film, Wigwam, with his own family as cast. Black Eagle, a bad Indian, kidnaps the daughter of a farmer's family. Flaming Arrow, played by the young director, saves the child from the kidnapper and brings her back to her family. No better conclusion than smoking a peace pipe. Although filmed in the spring of 1912, the film had a theatrical release in December 1915.

?

10

/1/

Directed by Joris Ivens and Jean-Pierre Sergent.

poster

?

8.3

/9/

Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.

poster

?

6.9

/22/

10

/1/

100

/1/

Pro-Vietnamese film created by Dutch filmmaker Joris Ivens. This black and white film begins with an introduction by Bertrand Russell, who explains the history of the run-up to the American involvement in Vietnam. The film shows scenes of Vietnamese soldiers in trenches, American helicopters, agricultural workers, and children assembling anti-aircraft shells. A narrator speaks of the American invasion as being on par with the Germans during World War II and characterizes the Vietnamese as resistance fighters. Anti-American protests are shown. Ivens is shown interviewing Ho Chi Minh. Vietnamese villagers build dams for rice paddies, make traps using bamboo spikes, and take cover during air raids. Scenes include the headquarters of the National Liberation Front, a military execution, bombings, and villagers fighting back against US aggression.

poster

?

Film never finished. The raw footage consists of 4,370 meters of 16mm film and sound. The negatives, deposited at the time in various labs, are now nowhere to be found. Improvisations, encounters, fragments of life of actress and director Juliet Berto filmed in the late 1970s.

?

The Dutch documentary filmmaker Joris Ivens (1898-1989) received the honorary title 'Old friend of the Chinese people' from the Chinese communist regime. One of the reasons was the fact that in 1938 he gave the communists the camera that captured the first footage of Mao Zedong. Ivens made several films about China, notably the twelve-hour picture Hoe Yukong de bergen verzette (How Yukong Moved the Mountains), a tribute to Mao's Cultural Revolution, which China itself called a 'catastrophe' shortly after. Actor Jeroen Willems follows in Ivens' footsteps, in an attempt to understand why Ivens never reconsidered his positive coverage.

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