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10
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The Metropolitan Opera: Die Zauberflöte (2023)
One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.
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92
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The Metropolitan Opera: The Magic Flute (2017)
Julie Taymor’s kaleidoscopic production returns to select cinemas this holiday season in an encore presentation of the company’s first-ever Live in HD transmission that includes tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape in this abridged, English-language version of Mozart’s classic fable.
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Orphée aux Enfers - Salzburger Festspiele 2019 (2020)
Offenbach’s mockery of bourgeois ideals, the sublimity of music and the institution of marriage ensures that the moralistic sermonizing of ‘Public Opinion’ falls on deaf ears. The mysterious figure of John Styx tells the story of behind-the-times Orpheus and his hacked-off Eurydice, of gods and goddesses seeking diversion, jaded with humdrum life in Olympus. He tells of the rebellion in the pantheon, which Jupiter adeptly averts by promising an amusement for his entourage. Burning with curiosity to see the beauteous captive and the contest between Jupiter and Pluto for Eurydice’s favour, the illustrious company embarks on an infernal ride to the underworld that culminates in what is surely the most wellknown can-can in the history of music. And what of Eurydice? She ends up putting a spoke in everyone’s wheel…
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Handel's Ariodante (2017)
Discover Ariodante, George Frideric Handel’s Baroque opera, a masterpiece plunging us into the ruthless world of the Scottish royal court through a love story of knight-errant Ariodante and princess Ginevra. Christof Loy staged the production at the Salzburg Festival 2017, alongside maestro Gianluca Capuano who conducted Les Musiciens du Prince-Monaco.
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The Merchant of Venice - Bregenzer Festspiele (2014)
Set in Venice during the Renaissance, the drama centres on Bassanio, a young nobleman who would like to court the beautiful Portia but doesn‘t have the money to travel to her country estate, so he asks the merchant Antonio for help. Antonio‘s wealth is tied up in maritime trade but he offers to procure the sum Bassanio needs from the Jewish money lender Shylock. Shylock hates Antonio for being so contemptuous in his treatment of Jews, and therefore stipulates that if the debt is not repaid within three months, the penalty will be a pound of Antonio‘s own flesh...
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Les Contes d'Hoffmann (2024)
Production of the Salzuberger Festspiele 2024. French director Mariame Clément will explore the relationship between art and real life by linking the three “tales” with individual stages of Hoffmann's biography as an artist in her production. This has decisive consequences for the female characters, or rather for the view of the images that Hoffmann projects onto Stella: the angelic but emotionally cold Olympia, who turns out to be a doll;
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Ariodante (2017)
At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.


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