mdblist.com logo The Best João César Monteiro Movies. Go to The Best Shows


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poster
78
37
7.3
/1562/
71
/38/
82
/28/
3.9
/2721/
89
/2/

Recollections of the Yellow House (1989)
Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.
poster
73
35
7.4
/602/
62
/28/
75
/18/
4.1
/3151/

Hovering Over the Water (1986)
Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She takes him home, and, after he is revived, learns his story. As they talk, their mutual attraction grows, until a group of armed men suddenly arrive looking for Robert.
poster
73
35
7.2
/1571/
68
/27/
68
/24/
4.0
/2385/
81
/4/

God's Comedy (1996)
An ice-cream seller lusts after the female employees in his shop.
poster
68
34
7.1
/838/
60
/22/
71
/18/
3.8
/1123/
62

The Spousals of God (1999)
After receiving a visit from a messenger of God, João de Deus wins his buddy's girlfriend through a roll of the dice.
poster
67
26
6.9
/415/
57
/12/
66
/14/
3.9
/1666/

The Last Dive (1992)
Eloi, a paunchy middle-aged man, finds Samuel, a young sad sack, about to kill himself by plunging into the sea. Eloi takes Samuel under his wing, giving him a hot meal and bringing him to a seedy night club to introduce him to Esperança, who is said to be the most beautiful sex worker in Lisbon—and is also Eloi’s daughter.
poster
69
23
6.8
/809/
69
/11/
72
/16/
4.0
/1348/
57
/1/

Come and Go (2003)
João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.
poster
65
22
7.2
/430/
45
/6/
65
/12/
3.9
/1215/

Silvestre (1982)
A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.
poster
68
17
6.7
/177/
68
/10/
64
/14/
3.7
/844/

A Walk with Johnny Guitar (1996)
Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.
poster
67
15
7.2
/272/
50
/3/
72
/10/
3.7
/736/

Trails (1978)
Parallel tales of young couples desperately escaping cruel false fathers, each couple on the run across different regions of the country and during increasingly contemporary time periods.
poster
53
12
4.8
/471/
37
/5/
57
/6/
3.5
/781/

Snow White (2000)
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
poster
71
?
7.7
/165/
67
/4/
71
/18/

Doomed Love (1979)
A story about doomed love between two people from different worlds and the impact in their lives.
poster
?
10
/1/

Paroles (1993)
N/A
poster
?
6.3
/27/
40
/2/
80
/1/

One Hundred Times Lost (1973)
Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.
poster
?
6.9
/22/
10
/1/
70
/1/

A Estrangeira (1982)
The shady side of an Italian textile trade in northern Germany is the subject of this slow-paced but atmospheric drama featuring Alberto Sordi as Totonno, a low-level, petty criminal anxious to move up a somewhat crooked ladder. Rising to the rank of the "dons" -- Don Raffaele (Carmine Ippolito) or Don Gennaro (Pasquale Cenammo) -- is not an easy task, as Totonno is about to find out. In the meantime, Paula (Belinda Lee) provides a romantic distraction, and another would-be entrepreneur opts for the straight and narrow. This uneven feature offers some colorful performances but the sum is less convincing than its parts.
poster
56
?
6.5
/168/
45
/4/
50
/8/
3.4
/366/

He Goes Long Barefoot That Waits For Dead Men's Shoes (1970)
The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman's shoes
poster
?
6.0
/72/
53
/3/
53
/3/

Lettera Amorosa (1995)
João de Deus receives a treat from a friend, unclogs his bathtub, and contemplates Lisbon from his window.
poster
57
?
5.5
/158/
56
/6/
52
/4/
3.4
/223/

End of Conservation (1990)
A satirical and delirious short which sums up the obsessions of João César Monteiro: film-making and… young women.
poster
?
5.6
/63/
45
/4/
45
/2/

Bestiary, or the Parade of Orpheus (1995)
One of the adventures of João de Deus.
poster
?
4.8
/13/
35
/2/
50
/1/

Rosa Negra (1993)
Fernanda, António and Quim are travelling by train to a provincial Portuguese industrial city. Fernanda, a teacher, agrees to replace a pregnant colleague. António is returning to the home he was forced to flee long ago, accused of setting fire to the Duarte’s factory. At the station he bumps into Mariana who is in love of him. António is not welcome and is violently attacked by a group connected to Duarte ...
poster
55
?
6.5
/128/
25
/2/
62
/6/
3.5
/226/

Fragments of an Alms-Film (1972)
Maria works in a German umbrella factory as the foreman of the production sector. João Lucas has given up on living a normal life and practically lives in bed, in the midst of green plants. His father expressly desired that his son film this eccentric daily life in 8 mm format. Maria’s wages are dilapidated to the last penny by this amateur, monstrous, family movie production.
poster
52
?
5.9
/263/
35
/4/
44
/7/
3.6
/333/

The Hips of J.W. (1997)
Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.
poster
61
?
6.7
/127/
52
/4/
54
/8/
3.6
/255/

Doc's Kingdom (1988)
An angry young man goes to Europe to find his father, a '60s radical turned doctor in exile.
poster
?
5.5
/20/
10
/1/
65
/4/

A True and Faithful Account (1989)
The young girl, Antónia Margarida Castelo Branco, is handed over by her mother to Brás Telles de Meneses because of the obscure interests between rural aristocratic families in the North. Brás is a ruined man, a bohemian with a reputation for violence and erratic behaviour. Antonia’s fortune is the first sacrifice made by the young wife. Fascinated by the man who humiliates and ill-treats her, she follows him in a pilgrimage to increasingly barren lands, to increasingly less hospitable houses.
poster
?

Screen Tests with Maria Cabral and César Monteiro (1966)
Never-before-seen footage of Monteiro’s first film tests for an unfinished project with Maria Cabral, a legendary actress from the Portuguese Cinema Novo movement and a perfect match for Monteiro’s French New Wave–inspired footage. – Museum of Modern Art
poster
?

Sounds of Codfish (2023)
Two of the best fishermen in the city, umrui aka Dj Mafia and dj bullins, went to the deepest waters of the ocean and fished for sounds never heard before. Converting electronic music to simple and humble Portugueseness, we talk about our great battles, the love that people feel for great legends, and even the most ridiculous moments of the pandemic.


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