mdblist.com logo The Best Leos Carax Movies. Go to The Best Shows


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poster
80
7.6
/16890/
76
/308/
74
/360/
4.2
/47315/
86
/22/
88
/249/

The Lovers on the Bridge (1991)
Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind.
poster
Fandor
77
7.0
/50944/
70
/1464/
69
/1217/
3.9
/94800/
91
/185/
71
/708/
85
/35/
cc age 17+

Holy Motors (2012)
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
poster
Kanopy
58
6.4
/8710/
66
/143/
65
/132/
3.5
/15356/
45
/73/
57
/517/
53
/22/

Mister Lonely (2008)
In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.
poster
Kanopy
73
53
6.8
/1057/
61
/35/
70
/26/
3.7
/11993/
91
/22/
78
/11/

It's Not Me (2024)
This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.
poster
59
46
5.5
/1704/
53
/23/
64
/33/
3.5
/4109/
67
/15/
57
/38/
50
/11/

King Lear (1988)
A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.
poster
72
36
7.1
/866/
71
/36/
73
/22/
3.7
/11442/

An Urban Allegory (2024)
A ballet dancer is late for an audition for a show inspired by Plato's Allegory of the Cave. She arrives with her seven-year-old son, Jay, and begs the director to give her a chance.
poster
72
27
7.0
/684/
64
/9/
70
/28/
4.0
/1429/
80
/1/

The House (1997)
A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.
poster
63
19
6.7
/318/
67
/11/
59
/9/
3.4
/617/
55
/1/
67
/4/

Mr. X (2014)
The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".
poster
53
?
5.5
/234/
56
/8/
46
/7/

977 (2006)
977 is a coded number relating the attempt to “test the harmony with algebra”, to figure out the mathematical regularities of emotional and spiritual realms of human being. The characters have volunteered for the experiment to be put through not only scientific researching, but also through the everyday trials of friendship, love, attractions, envy and “the strongest of affects” – the curiosity. Thus, the scientific experience turns into human one, and a result is unpredictable…
poster
?
10
/1/

Le Pont-Neuf des amants (1991)
The story of the set design for Léos Carax's film Les Amants du Pont-Neuf, filmed from the start of construction in 1988 until its destruction in 1991, when filming was finally completed. Punctuated with interviews, often spectacular images retrace the successive stages of the monumental reconstruction of the Pont-Neuf and its surroundings in the vicinity of Montpellier. The commentary evokes the many technical and financial vicissitudes of one of the greatest sets in the history of cinema.
poster
?
7.1
/35/

I Did Not Die (2008)
Alix is a woman of 27 looking for the only thing she is incapable of: love.
poster
?
5.9
/22/
10
/1/

Investigation of a Film Above Suspicion (1991)
A documentary on the set of the ultra eventful Leos Carax film "Les Amants du Pont-Neuf", which spans three years of filming and knows an accumulation of disasters, increasing an initial budget of 32 million francs to more than 120 million francs.
poster
?
6.9
/23/
10
/1/
63
/3/

The Ministries of Art (1989)
Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.
poster
?
7.4
/44/
60
/2/

DRIVE IN Holy Motors (2013)
A making-of documentary of Leos Carax's Holy Motors. Present during the shoot, Salomé catches exacting and inspiring moments of the production and adds interviews with its main participants (the actors Denis Lavant, Edith Scob, and Kylie Minogue, and the cinematographer, Caroline Champetier).
poster
46
?
5.3
/163/
55
/2/
31
/8/

Process (2004)
The story of a woman who decides to kill herself. She puts herself through a series of experiences that test the limits of what is humanly bearable in an ultimate attempt to find a reason to live.
poster
55
?
5.5
/129/
70
/1/
42
/6/

Men Show Movies & Women Their Breasts (2014)
Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.


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