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poster
Criterion Channel
69
29
7.2
/868/
58
/22/
61
/14/
3.7
/3059/
83
/9/

After the Curfew (1954)
A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.
poster
?
10
/1/

Kenangan Masa (1951)
N/A
poster
?
10
/1/

Antara Tugas dan Tjinta (1954)
Produced as a profile on the Military Police Corps, we see the romance between Wati and Karmawan. Subur, on the other hand, is treated by Wati as a casual friend. However, Wati's parents pair off their daughter to Subur. The conflict between personal interest and professional duty begins when Subur is captured by a gang of thugs. As a commanding officer, Karmawan is assigned to rescue his subordinate, Subur, whereas he will have a chance with Wati again, if he does not do anything about it.
poster
?

Dunia Gila (1951)
Umar, who was kicked out by his father, lives with his two friends Maskur and Kumul. One day Umar helped a woman named Sutinah and then married her. Meanwhile, the father married a young woman who turned out to be the daughter of Sutinah, Umar's wife.
poster
?

Main-main Djadi Sungguhan (1951)
Yusuf's efforts to approach Erna (Netty Herawati) were thwarted by the girl's father's harshness, because the young man was still unemployed. On the advice of Kosasih (Rd. Mochtar), a fake marriage was held between Erna and another young man. Because no one was available, Kosasih finally carried out the fake marriage himself. Even though Kosasih already had a girlfriend, Komariah (Titien Sumarni), who Sutisna (Darussalam) also had a crush on. In the end, "playing around became real".
poster
?

Sepandjang Malioboro (1951)
Hartoyo and Sanusi, who had been friends since they were TNI, registered themselves as development soldiers to be sent to Harapan Island. Sanusi's younger sister, Aesah, was Hartoyo's girlfriend. Sanusi's mother passed away and then Sanusi also passed away. This made Aesah like someone who had lost her memory, wandering "along Malioboro". Luckily Hartono returned and looked for Aesah.
poster
?

Satria Desa (1952)
Kasim, a rich man lives by lending money by collecting taxes from the residents in his place, most of whom are farmers. In addition, Kasim also opened an illegal gambling place disguised as a coffee shop. As an attraction, the shop provided dancers and singers. In this way, many farmers, especially young people, were forced to borrow money from Kasim and most of the money they used to gamble which eventually returned to Kasim.


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