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The opera Polifemo composed by Nicola Porpora to a libretto by Paolo Rolli. Performed by the Opéra Royal du Château de Versailles. With Franco Fagioli - Acis ; Julia Lezhneva - Galatea ; Paul-Antoine Bénos-Djian - Ulisse ; José Coca Loza - Polifemo ; Éléonore Pancrazi - Calypso ; Académie de danse baroque de l’Opéra Royal Orchestre de l’Opéra Royal conducted by Stefan Plewniak. Recorded December 4 and 6, 2024

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Composed in 1782, the Great Mass in C minor, KV 427, ranks among the pinnacles of Western sacred music. Gianluca Capuano conducts this masterpiece with the vocal ensemble Il Canto di Orfeo and Les Musiciens du Prince, a Monegasque ensemble playing period instruments.

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Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.

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Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.

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