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Mahal (1949)
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
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Khiladi
A charming and reckless man finds his easy-going life of adventure and romance suddenly threatened when he must outwit a ruthless, unseen enemy who views life and love as nothing more than a dangerous game.
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Khan Bahadur (1937)
An early social drama produced and directed by Sohrab Modi
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Hind Kesari (1935)
The Wadia's, remake of Homi Master's 1932 silent film is a Ruritanian drama mainly featuring the stunts of the horse Punjab-Ka-Beta. Good King Mansingh (Tarapore) is dethroned by evil minister Zalim Singh (Khambatta). Princess Hansa (Husn Banu) transforms lover Prince Randhir (Sarda Mansoor) from an easy-going youth into the masked Hind Kesari, saviour of the poor.
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Main Hari (1940)
A romantic entanglement between a simple village fisherman and a glamorous city film star. It delves into the challenges they face in reconciling their vastly different worlds and the difficult decisions they must make about love, loyalty, and their futures.
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Meetha Zaher (1938)
Sohrab Modi's Meetha Zahar (Sweet Poison) is a social drama film that explores the devastating effects of alcoholism and advocates for prohibition. The narrative highlights the societal ills and personal ruin caused by alcohol, urging audiences to recognize the "evils of drinking."
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Said-e-Havas (1936)
A screen adaptation of Agha Hashar Kashmiri’s Urdu play, itself based on Shakespeare’s King John. In the film (a stage-play recording), Modi plays the analogue of Shakespeare’s Hubert (named Kazal Beg), and the story follows the central events of King John.


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