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El demonio es un ángel (1951)
A young woman has her plans to catch a doctor reluctant to marry.
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Juan de la calle (1941)
Narrates the story of a homeless shoeshine boy who lives under a bridge.
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La trepadora (1924)
Victoria Guanipa, a woman of mixed race uses her beauty and cunning to climb the social ladder and gain power in a society marked by racial and class divisions. Her ambition clashes with the traditions of the landowning family she marries into, particularly with Nicolás del Casal, who represents old aristocratic values.
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Barlovento (1945)
Musical comedy by Fraíz Grijalba.
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Amanecer a la vida (1950)
A shoeshine boy and his mother, a cabaret employee, fight against life's adversities. Venezuelan drama directed by Fernando Cortés.
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Bolívar, Faro de América (1950)
Documentary about the life of Simón Bolívar, directed by Antonio Bacé.
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Pacto con el Diablo (o el socio, Mr. Davis) (1929)
Juan is summoned by Goldenberg to offer him a job in the cheap business. To get away from him, Pardo evades his proposals justifying himself by saying that he must consult with his partner; who, in reality, does not exist. As the story progresses we can see how this partner, who is called Mr. Davis, takes on a life of his own inside Juan's mind.


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