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poster
75
62
7.2
/3025/
66
/44/
73
/88/
3.6
/4059/
92
/12/
76
/35/

Why Does Herr R. Run Amok? (1970)
The life of a married Munich technical draftsman with a son.
poster
60
6.3
/1737/
54
/41/
55
/45/
3.3
/2369/
63
/8/

Tenderness of the Wolves (1973)
A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.
poster
Criterion Channel
64
53
6.4
/3751/
65
/45/
61
/56/
3.3
/6511/
70
/10/
58
/41/

Love Is Colder Than Death (1970)
Small-time pimp Franz is torn between his mistress and Bruno, the gangster sent after him by a shady crime syndicate he has refused to join.
poster
Criterion Channel
72
53
6.7
/3029/
74
/53/
59
/49/
3.6
/5139/
92
/12/
73
/14/

The Third Generation (1979)
A wildly anarchic satire of guerrilla terrorism in which a band of leftist radicals inadvertently become puppets of the West German government, which uses them to justify its authoritarian policies.
poster
81
45
7.6
/1601/
76
/26/
72
/26/
3.9
/1928/
100
/9/
89
/2/

I Only Want You to Love Me (1976)
Peter grew up during the economic miracle, bereft of parental care and love. Learning early on that interpersonal relationships are based on the principles of exchange or purchase, he abides by these rules and gives generous presents to his family and his wife, Erika. But when he is unable to keep up this lifestyle, his story takes a horrendous turn...
poster
Criterion Channel
66
30
6.3
/1025/
58
/18/
56
/18/
3.5
/2331/
80
/13/

Baal (1970)
An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.
poster
57
21
5.8
/640/
61
/7/
53
/8/
3.3
/753/
67
/6/
32
/3/

The Niklashausen Journey (1970)
Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket? The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.
poster
61
14
7.2
/288/
46
/3/
64
/10/
3.5
/298/
40
/10/
79
/4/

I Don’t Just Want You to Love Me (1992)
A documentary about the life and work of director Rainer Werner Fassbinder.
poster
54
14
5.8
/346/
44
/10/
43
/13/
3.4
/852/

The Bridegroom, the Actress, and the Pimp (1968)
Three sequences are linked together in this short film by Straub; the first sequence is a long tracking shot from a car of prostitutes plying their trade on the night-time streets of Germany; the second is a staged play, cut down to 10 minutes by Straub and photographed in a single take; the final sequence covers the marriage of James and Lilith, and Lilith’s subsequent execution of her pimp, played by Rainer Werner Fassbinder. "The film is a look entirely at Western decadence" - Jean-Marie Straub.
poster
?
7.7
/17/

Fassbinder Produces: Film No. 8 (1971)
About the making of "Der amerikanische Soldat/The American Soldier" in 1970.
poster
?
5.9
/21/
10
/1/
50
/1/

Cinémania: Rainer Werner Fassbinder (1981)
A documentary about the director Fassbinder but edited as if it were a film of the master himself, with some sequences of his own movies.
poster
?
6.9
/64/
35
/2/

End of the Commune? (1970)
"End of the Commune"/"Ende einer kommune" is a great 49 min. long movie made in 1969 about Fassbinder and the early years of the legendary Antiteater he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffehouse" which also became a television-movie, and you can watch unique footage from the 19th Film-Festival in Berlin (1969) where "Love is Colder Than Death" were shown. As told in this documentary, his first feature-movie were given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder than Death", while a man in the audience is shouting "Out with the director!". In this interesting documentary Fassbinder also talks a lot about his father which was a respectable doctor.
poster
?
6.7
/57/
55
/2/
58
/6/

Malou (1981)
Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.
poster
60
?
7.7
/177/
46
/3/
50
/8/

Fassbinder's Women (2000)
An essay film in which filmmaker Rosa von Praunheim interviews "the willing victims of Rainer Werner Fassbinder."
poster
57
?
5.9
/163/
55
/5/
53
/3/
3.1
/251/

The Coffee House (1970)
Avant-garde adaptation of a Carlo Goldoni play. Well-to-do Venetians congregate in a coffee house and discuss their problems.


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